Results 91 to 100 of about 161 (140)
BRANCHLESS TRICHOMES links cell shape and cell cycle control in Arabidopsis trichomes.
Development, 2011 Kasili R +7 more
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Uma perspectiva contemporânea sobre o Movimento Rastafári
Religião e SociedadeFernando Vieira de Freitas
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Rastafari Citizen-Subjectivities
2021In the final chapter, I examine Rastafari interactions with the Ethiopian state and its representatives. I contrast the legal and subjective approaches to issues of citizenship and belonging. Through these institutional encounters, I look at how babylon (hell) is reproduced in the zion (heaven) of Ethiopia, for example, in how the land grant is policed
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2003
AbstractSince its emergence in the margins of 1930s Jamaican society, Rastafari has moved to the forefront of Jamaican popular culture. This transition has been occasioned by Rastafari's own internal dynamics, by the gradual shift from a more conflict‐ridden relationship to rapprochement between the movement and the wider society, and by the ability of
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AbstractSince its emergence in the margins of 1930s Jamaican society, Rastafari has moved to the forefront of Jamaican popular culture. This transition has been occasioned by Rastafari's own internal dynamics, by the gradual shift from a more conflict‐ridden relationship to rapprochement between the movement and the wider society, and by the ability of
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Rastafari Dialectism: The Epistemological Individualism and Conectivism of Rastafari
Caribbean Quarterly, 2002L'A. explore la nature essentiellement dialectique du mouvement rastafari, du point de vue de son orientation en meme temps collective et individualiste. Il soutient que, d'un cote, le rastafarisme est caracterise par une forte consideration pour l'individualite, en raison de son insistance sur liberte radicale de l'individu ; mais, d'un autre cote, le
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2003
AbstractJamaican popular music started with ska in the early 1960s, evolved into rock‐steady in the mid‐1960s, and eventually into reggae in the late 1960s. This development was driven and facilitated by Jamaica's sound systems – mobile discos – and the emerging recording industry.
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AbstractJamaican popular music started with ska in the early 1960s, evolved into rock‐steady in the mid‐1960s, and eventually into reggae in the late 1960s. This development was driven and facilitated by Jamaica's sound systems – mobile discos – and the emerging recording industry.
openaire +1 more source