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Postcolonial Interpretation: The Bible in Rastafari
Black Theology, 2020This article discusses the development of a hermeneutical, phenomenological approach to Sacred Scriptures emerging from a “Third World” Liberation Theology.
Marzia A. Coltri
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2003
AbstractSince its emergence in the margins of 1930s Jamaican society, Rastafari has moved to the forefront of Jamaican popular culture. This transition has been occasioned by Rastafari's own internal dynamics, by the gradual shift from a more conflict‐ridden relationship to rapprochement between the movement and the wider society, and by the ability of
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AbstractSince its emergence in the margins of 1930s Jamaican society, Rastafari has moved to the forefront of Jamaican popular culture. This transition has been occasioned by Rastafari's own internal dynamics, by the gradual shift from a more conflict‐ridden relationship to rapprochement between the movement and the wider society, and by the ability of
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Rastafari Dialectism: The Epistemological Individualism and Conectivism of Rastafari
Caribbean Quarterly, 2002L'A. explore la nature essentiellement dialectique du mouvement rastafari, du point de vue de son orientation en meme temps collective et individualiste. Il soutient que, d'un cote, le rastafarisme est caracterise par une forte consideration pour l'individualite, en raison de son insistance sur liberte radicale de l'individu ; mais, d'un autre cote, le
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From Babylon to Ethiopia: Continuities and Variations of Utopianism in Rastafari Reggae Music
, 2020In this article, I investigate the ways in which Rastafari discourse on repatriation to Africa – articulated through reggae music – engages utopianism to varying degrees based on the artists’ proximity to Ethiopia.
David Aarons
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2003
AbstractJamaican popular music started with ska in the early 1960s, evolved into rock‐steady in the mid‐1960s, and eventually into reggae in the late 1960s. This development was driven and facilitated by Jamaica's sound systems – mobile discos – and the emerging recording industry.
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AbstractJamaican popular music started with ska in the early 1960s, evolved into rock‐steady in the mid‐1960s, and eventually into reggae in the late 1960s. This development was driven and facilitated by Jamaica's sound systems – mobile discos – and the emerging recording industry.
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Placemaking in the Transnational Caribbean: A Rastafari Community in Ethiopia
, 2020Considered a sacred place, Shashamane plays a foundational role in the Rastafari transnational social imaginary, especially when one considers how it is a purposeful response to the horrors of racial capitalism.
Scott Timcke, Shelene Gomes
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2020
As some Rastafari do not consider themselves a 'religious' group (as Western academic/theological discourse might describe it), the term 'livity' or 'movement' is more frequently employed to describe this Afrocentric belief system primarily composed of Afro-Caribbean adherents and those in the Afro-Caribbean diaspora. The Rastafari movement comprises a
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As some Rastafari do not consider themselves a 'religious' group (as Western academic/theological discourse might describe it), the term 'livity' or 'movement' is more frequently employed to describe this Afrocentric belief system primarily composed of Afro-Caribbean adherents and those in the Afro-Caribbean diaspora. The Rastafari movement comprises a
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Clinical Perspectives on the Rastafari Movement
Psychiatric Services, 1994Members of the Rastafari movement, which originated in Jamaica, are found in the Caribbean and in parts of the United States and Europe with a large Afro-Caribbean population. To help mental health professionals serve members of this group more effectively, the authors review literature on the movement and present clinical case examples with analyses ...
F W, Hickling, E E, Griffith
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Rastafari: culture of resistance
Race & Class, 1980La culture Rastafari a la Jamaique, culture elaboree par les noirs en resistance a la colonisation culturelle. Son origine historique, son evolution, son langage, ses leaders.
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1990
A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae.Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this ...
Carlos Nelson, Becky Mulvaney
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A combination dictionary and annotated discography, videography and bibliography, this sourcebook brings together listings of materials on the Rastafarian movement and reggae music. . . . This sourcebook serves as a good introduction to Rastafari and reggae.Reference Books Bulletin Coinciding with the sixtieth anniversary of Rastafari, this ...
Carlos Nelson, Becky Mulvaney
openaire +1 more source

