Results 11 to 20 of about 427 (71)

Sodobna dramatika in vprašanje dediščine neoavantgarde šestdesetih in sedemdesetih let [PDF]

Amfiteater, 2023
Sodobna dramatika je do neke mere dedinja neoavantgarde s konca šestdesetih in iz sedemdesetih let prejšnjega stoletja. Takrat se je namreč zgodil t. i. performativni obrat, ki je gledališče potegnil stran od reprezentacije k prezentaciji. Razvoj, ki je
Gašper Troha
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Contemporary Drama and the Question of the Neo-avant-garde Legacy of the 1960s and 1970s [PDF]

Amfiteater, 2023
To some extent, contemporary drama is the heir of the neo-avant-garde of the late 1960s and 1970s. This time was that of the so-called performative turn, which pulled theatre away from representation and towards presentation.
Gašper Troha
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Postkoloniální střední Evropa? Kunderův „unesený Západ“ v zrcadle postkoloniální kritiky [PDF]

Slovo a Smysl, 2020
This article has a twofold aim: 1) to introduce four theoreticians who transfer concepts of postcolonial theory to the analysis of post-socialist Central and Eastern Europe; 2) to apply these concepts to the interpretative dialogue of Milan Kundera’s ...
Ondřej Slačálek
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Performance Writing

Amfiteater, 2023
While the emergence of new forms of performance writing in the 1960s and 1970s did not eliminate traditional forms of drama, they radically transformed the role of textuality in the theatre.
Branislav Jakovljević
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Historical transformation and epistemological discontinuity [PDF]

Filozofija i Društvo, 2013
Starting from recent formulas of EU bureaucracy for subordinating scientific and educational apparatuses to the needs of the capital and to the requests of its political representatives, the article analyses the interconnection between the ...
Močnik Rastko
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On the discourse and propaganda of anti-terrorism

Politikon, 2002
The subject of my inquiry will be the public discourse on terrorism, which has explicitly unfolded since the “terrorist” attack on the World Trade Centre.
Gal Kim
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Несврстани хуманизам Рудолфа Бручија: композитор и друштво самоуправног социјализма [PDF]

, 2017
In 1979 the oratorio We Are All a Single Party was performed, composed by the Yugoslav composer Rudolf Bruči, who in an interview for the Novi Sad daily newspaper Dnevnik explained his driving motives in the following way: “I wanted to preserve the ...
Sovtić, Nemanja
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Socialism or Art: Yugoslav Mass Song and Its Institutionalizations [PDF]

, 2017
The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to be composed in a way that invites the participation of ...
Atanasovski, Srđan
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Med majem '68 in novembrom '89. Transformacije sveta, literature in teorije [PDF]

, 2021
The authors of the volume ('From May ’68 to November ’89: Transformations of the World, Literature, and Theory') intervene in the study of the student movement’s “rehearsal” for a world revolution and its afterlife in the 1980s and 1990s by addressing ...
Juvan, Marko
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Vantržišna motivacija tržišta umetničkih dela [PDF]

, 2019
Art markets are not homogeneous, the difference being especially between the art products that can be technically reproduced and the unique products. As for the former, regulations of the copyright type introduce certain specificities (the author retains
Rastko Močnik
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