Results 21 to 30 of about 167,917,095 (264)

Audiovisual Translation of Slang Words and Phrases and Their Types of Equivalence in 50/50 Movie [PDF]

open access: yes, 2019
The study aims to identify the types of slang, subtitling strategies applied, and the types of equivalence discovered in the movie subtitle. There are three different theoretical frameworks employed in this study in order to analyze the data, those are ...
Rahmawati, Rahmawati
core   +1 more source

Humor Analysis of Monty Python and the Holy Grail [PDF]

open access: yes, 2020
This study entitled Humor analysis of Monty Python and the Holy Grail (1975) aims to analyzes humor that exists in a British comedy film Monty Python and the Holy Grail (1975), which is directed by Terry Gilliam and Terry Jones, to understand the humor ...
Kusnandi, Fauzan Romdhoni   +2 more
core   +1 more source

A Rate of Passage

open access: yesManuscrito
In “Temporal Passage and the ‘No Alternate Possibilities Argument’”, Jonathan Tallant takes up one objection based on the observation that if time passes at the rate of one second per second there is no other possible rate at which it could pass.
Tim Maudlin
doaj   +1 more source

Shrinking Violet: Media Role in Identity Construction in Stephen Chbosky’s The Perks Of Being A Wallflower [PDF]

open access: yes, 2014
The present study entitled Shrinking Violet: Media Role in Identity Construction in Stephen Chbosky’s The Perks of Being a Wallflower focuses on the issue of identity construction and media role on the main character of the story.
Pradita, Aninda
core   +1 more source

Unsteady blade-passage flows of a mixed-flow pump at performance-curve instability

open access: yesNihon Kikai Gakkai ronbunshu, 2018
For designing a high-performance mixed-flow pump, control and suppression of performance-curve instability is crucial. For doing so, clarification of the essential flow physics that leads to the performance-curve instability is crucial in addition to an ...
Isao HAGIYA   +4 more
doaj   +1 more source

The Representation of Persians as Villains in a Movie ‘300’: An Analysis of Orientalism Perspective by Edward Said [PDF]

open access: yes, 2019
This paper investigates the ways the Persians are represented in the movie ‘300’. Furthermore, the study also analyzes the relationship between the movie and the current socio-political issues between the United States and Iran.
Maruf, Imam
core   +1 more source

The Portrayal of Masculinity in to Catch a Prince by Gillian Mcknight [PDF]

open access: yes, 2019
This study entitled ‘The Portrayal of Masculinity in To Catch a Prince by Gillian McKnight’ aims to find the types of masculinity portrayed in the novel and their meanings. It applies a context-oriented approach and employs the textual analysis technique
Ariani, Adisty Tyaputri
core   +1 more source

Female listeners’ autonomic responses to dramatic shifts between loud and soft music/sound passages: a study of heavy metal songs

open access: yesFrontiers in Psychology, 2016
Although music and the emotion it conveys unfold over time, little is known about how listeners respond to shifts in musical emotions. A special technique in heavy metal music utilizes dramatic shifts between loud and soft passages.
Tzu-Han eCheng   +2 more
doaj   +1 more source

Temporal Passage and the 'no alternate possibilities' argument

open access: yesManuscrito
Dynamic theories of time typically commit to the claim that "time passes". In this paper I develop a version of the 'no alternate possibilities' argument in order to show that time does not pass, but that this is no threat to dynamic theories of time.
Jonathan Tallant
doaj   +1 more source

Stress and strain among merchant seafarers differs across the three voyage episodes of port stay, river passage and sea passage.

open access: yesPLoS ONE, 2019
BackgroundA sea voyage is characterized by a variety of work requirements for the ship's crew, basically reflected in three voyage episodes: port stay, river passage and sea passage.
Marcus Oldenburg, Hans-Joachim Jensen
doaj   +1 more source

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