Results 11 to 20 of about 1,922 (144)
The Origins of Laruelle's Non-Philosophy in Ravaisson's Understanding of Metaphysics
Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics, 2018 Laruelle's first book Phenomenon and Difference: An Essay on Ravaisson's Ontology (1971) is unanimously overlooked as having little relevance to his later non-philosophy.
Vincent Le
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Body, Habit, Custom and Labour [PDF]
, 2017 Theories in the modern age in philosophy, as well as in the discourse of the social sciences, are pervaded with the presuppositions of the dualisms of mind and world, theory and practice, private and public.
Shah, Shriddha
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Responsibility for implicitly biased behavior: A habit‐based approach
, 2022 Journal of Social Philosophy, Volume 53, Issue 2, Page 239-254, Summer 2022.
Josefa Toribio
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, 2021 Reviews in Religion &Theology, Volume 28, Issue 1, Page 76-79, January 2021.
Ryan Haecker
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Étudier ou rêver l’antique. Félix Ravaisson et la reproduction de la statuaire antique
Images Re-Vues, 2005 A travers l’exemple « Les classiques de l’Art » dirigé par F. Ravaisson, cet article s’intéresse au renouvellement du regard sur la sculpture antique au XIXe siècle.
Mouna Mekouar
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, 2021 Reviews in Religion &Theology, Volume 28, Issue 1, Page 99-101, January 2021.
Simone Kotva
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Naturalization: Habits, Bodies and Their Subjects
Phenomenology and Mind, 2016 The paper seeks to draw a preliminary map of the relations between the human body, habituation, and nature, in a lineage of questioning which should be referred to as Aristotelian in the wider sense of the term.
Adi Efal
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La spontaneità malata. Follia e patologia nella filosofia di Félix Ravaisson
Itinera, 2015 In Ravaisson’s philosophy, the concept of spontaneity refers to the first, basic and organic form of improvisation. Nature consists in fact of a rational law of development named habit, that regulates all movements, summarizing the external impulsions ...
Denise Vincenti
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Movement Before Cinematography: The High-Speed Qualities of Sentiment [PDF]
, 2006 Cinematography, and the philosophical critiques it inspired, has come to represent modernity. The 19th century ended with reduced photographic time exposures. The 20th century began by marking itself on a new cinematographic strip.
Canales, Jimena
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Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics, 2018 A mood for Philosophy (Abstract) In this dialogue with Francois Laruelle Anne-Françoise Schmidt suggests that Laruelle's non-philosophy, which begins with an indecision, could be conceived as something that in the history of painting has been called ...
François Laruelle +1 more
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