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La novela morelliana en "Rayuela", de Julio Cortázar
Revista Chilena de Literatura, 2016 José Emilio Osses
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Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction, 2020
Rayuela is an interactive light installation created with the purpose of using art to draw attention to a serious issue plaguing our society: namely plastic usage and waste, and how its overuse and under recycling end up polluting the oceans and compromising the food chain by disintegrating into microplastics.
Abhiruchi Chhikara, Luke Hespanhol
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Rayuela is an interactive light installation created with the purpose of using art to draw attention to a serious issue plaguing our society: namely plastic usage and waste, and how its overuse and under recycling end up polluting the oceans and compromising the food chain by disintegrating into microplastics.
Abhiruchi Chhikara, Luke Hespanhol
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The rhetoric of Horacio's narration inRayuela
Bulletin of Hispanic Studies, 1981exaly +2 more sources
Cortázar's Rayuela: A Case of Convention?
Symposium - Quarterly Journal in Modern Literatures, 1978exaly +2 more sources
A Reinterpretation of the Allegory of the Cave in Rayuela’s Chapter 28 of Rayuela
2022This article intends to bring to light original connections between the Platonic text taken from The Republic, Book VII, and chapter 28 of Cortázar’s most famous novel. The aim is to think about the notion of hypertextuality and about its functions. If a parallel can be drawn between both texts, the Argentinian writer offers a modern reinterpretation ...
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2021
Para comprender adecuadamente la profundidad de la búsqueda a la que Cortázar nos impele en Rayuela (1963), es preciso comprender primero que esta tiene su origen en el giro que el escritor realiza desde el plano estético al ontológico, visible en El perseguidor (1959); de hecho, en esta obra, Cortázar establece, a través de los signos intertextuales ...
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Para comprender adecuadamente la profundidad de la búsqueda a la que Cortázar nos impele en Rayuela (1963), es preciso comprender primero que esta tiene su origen en el giro que el escritor realiza desde el plano estético al ontológico, visible en El perseguidor (1959); de hecho, en esta obra, Cortázar establece, a través de los signos intertextuales ...
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2016
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