Results 1 to 10 of about 8,117,648 (243)
Reception History and Early Chinese Classics
Religions, 2022 Thus far, the study of early China and its texts is dominated by originalist approaches that try to excavate the authentic meaning of the classics.
Tobias Benedikt Zürn
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The reception history of Beowulf
SELIM, 2020 This paper traces both the scholarly and popular reception of the Old English epic Beowulf from the publication of the first edition of the poem in 1815 to the most recent English novel based on it from 2019. Once the work was first made available to the scholarly community, numerous editions in various languages began to appear, the most recent being ...
Robert E. Bjork
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Eine Diskursgeschichte der ›Diabelli-Variationen‹. Makroform und Interpretation im Spiegel analytischer Texte aus 200 Jahren [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 Die vorliegende diskursanalytische und -historische Studie untersucht anhand eines umfangreichen und unterschiedliche Textsorten umfassenden Textkorpus von 1823 bis 2016 analytische Aussagen über Beethovens ›Diabelli-Variationen‹ (1819–23) mit besonderem
Cosima Linke
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Zeszyty Cyrylo-Metodiańskie, 2022 Dejan Ajdacic’s ‘Polish-Serbian Literary Relations’ and the Reception History of Serbian Literature in Poland and Polish Literature in Serbia: A review of: Ajdačić, Dejan. Polish-Serbian Literary Relations. Translations and Reception (In Serbian: Poljsko-
Mirocha, Piotr
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»Eine halbe terra incognita«. Zur frühen Aufführungs- und Rezeptionsgeschichte der ›Diabelli-Variationen‹ [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 Der Beitrag bietet einen Überblick über die bislang wenig untersuchte Aufführungsgeschichte von Beethovens ›Diabelli-Variationen‹ im 19. Jahrhundert und korrigiert in Nuancen das von der Forschung gezeichnete Bild in Bezug auf Hans von Bülows ...
Markus Neuwirth
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The Reception of History and the History of Reception. On the Contemporaneity of Gerhard Richter [PDF]
Art in Translation, 2012 AbstractThe essay examines the reception of Gerhard Richter in a range of historical writing and exhibitions both in and outside Germany. Drawing on critical theories of reception, it is argued that the history of Richter’s oeuvre is created as much by the artist himself—who actively controls the construct of his oeuvre—as by curators, critics ...
Julia Gelshorn, Claudia Heide
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Effekt, Extrem – oder Erfindergeist?. Niels W. Gades Fünfte Sinfonie und der obligate Klavierpart [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2022 Mit der Einbeziehung eines obligaten Klavierparts in den sinfonischen Orchestersatz ist Niels W. Gades Fünfte Sinfonie in d-Moll op. 25 ein Novum innerhalb der Gattungsgrenzen des tradierten Sinfoniebegriffs in der Mitte des 19. Jahrhunderts.
Lara Nettelmann
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1 Timothy 1:3–4 in the Memory of Irenaeus, Tertullian, Athanasius, and Chrysostom
Religions, 2023 In this article, I discuss reception history, its place within the history of historical critical methods, and social memory theory. I apply a reception historical lens buttressed by social memory theory to 1 Timothy 1:3–4.
Michael Scott Robertson
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Sposobin Remains. A Soviet Harmony Textbook’s Twisted Fate in China [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 In 1937–38, Igor V. Sposobin and three co-authors at the Moscow Conservatory published Uchebnik garmonii [Harmony Textbook]. This was the first officially approved harmony textbook in the USSR, which came to be adopted as “the basic textbook for courses ...
Wai Ling Cheong, Ding Hong
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Which Way for the Negro Writer?: Ralph Ellison and the Invisible Black Left [PDF]
Литература двух Америк, 2018 The publication of Invisible Man by Random House in 1952 was a watershedThe publication of Invisible Man by Random House in 1952 was a watershedmoment in American literature.
Donald Brown
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