Results 61 to 70 of about 5,425,089 (326)

Different theta connectivity patterns underlie pleasantness evoked by familiar and unfamiliar music

open access: yesScientific Reports, 2021
Music-evoked pleasantness has been extensively reported to be modulated by familiarity. Nevertheless, while the brain temporal dynamics underlying the process of giving value to music are beginning to be understood, little is known about how familiarity ...
Alberto Ara, Josep Marco-Pallarés
doaj   +1 more source

Finding new music: a diary study of everyday encounters with novel songs [PDF]

open access: yes, 2007
This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (that is, music that we haven’t heard before) and relates these behaviours to music information retrieval activities such as music searching and music ...
Bainbridge, David   +2 more
core   +1 more source

Issues and techniques for collaborative music making on multi-touch surfaces [PDF]

open access: yes, 2010
A range of systems exist for collaborative music making on multi-touch surfaces. Some of them have been highly successful, but currently there is no systematic way of designing them, to maximise collaboration for a particular user group.
Dalton, Nick   +6 more
core   +1 more source

Live and recorded group music interventions with active participation for people with dementias: a systematic review

open access: yesArts and Health, 2020
Background: This literature review examined the existing evidence base for the impact of both live and recorded music interventions involving active participation in a dementia population.
Amy Clare, P. Camic
semanticscholar   +1 more source

Wine Tourism as a Catalyst for Sustainable Performance: The Mediating Role of Corporate Legitimacy and Green Innovation

open access: yesAgribusiness, EarlyView.
ABSTRACT This study aims to explore the influence of Wine Tourism (WT) on the Sustainable Performance (SP) of wineries in Spain. It particularly investigates how Corporate Social Legitimacy (CSL) and Green Innovation (GI) may act as intermediary factors in this relationship.
Javier Martínez‐Falcó   +3 more
wiley   +1 more source

The Illusion of Reality in Recorded Music [PDF]

open access: yes, 2016
In recent scholarship on recorded music, authors have addressed, implicitly and explicitly, the twin notions of “reality” and “illusion”. The prevailing position amongst writers is that what matters is not whether a recording is “real”, so much as ...
Long, Jason
core  

MusicSwarm: Biologically Inspired Intelligence for Music Composition

open access: yesAdvanced Intelligent Systems, EarlyView.
Biologically inspired swarms of frozen foundation models self‐organize to compose complex music without fine‐tuning. By coordinating through stigmergic signals, decentralized agents dynamically evolve specialized roles and adapt to solve complex tasks.
Markus J. Buehler
wiley   +1 more source

Extracting expressive performance information from recorded music [PDF]

open access: yes, 1995
Thesis (M.S.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1995.Includes bibliographical references (leaves 55-56).by Eric David Scheirer.M ...
Scheirer, Eric David
core   +1 more source

Gate‐Align‐SED: Semi‐Supervised Sound Event Detection via Adaptive Feature Gating and Cross‐Task Alignment in Situation Awareness

open access: yesAdvanced Intelligent Systems, EarlyView.
Overview of the proposed Gate‐Align‐SED, including two stages of training: (1) Mean‐Teacher SSL Training; and (2) Enhancer Model Training. In complex real‐world environments such as disaster monitoring, effective sound event detection (SED) is often hindered by the presence of noise and limited labeled data.
Jieli Chen   +4 more
wiley   +1 more source

Bulgarian Folk Songs in a Digital Library [PDF]

open access: yes, 2011
The paper presents the main results of an ongoing project aimed at the development of technologies for digitization of Bulgarian folk music and building a heterogeneous digital library with Bulgarian folk songs presented with their music, notes and text.
Kirov, Nikolay, Peycheva, Lozanka
core  

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