Results 11 to 20 of about 182,433 (297)
From Trinidad and Tobago to the World: Determining the role of Calypso in a new Era
Calypso is a popular Caribbean musical genre that originated in the island nation of Trinidad and Tobago. The genre was developed primarily by enslaved West Africans brought to the region via the transatlantic slave trade during the seventeenth and ...
Malek Abdel-Shehid
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Karel Boženek is one of the most important experts in the field of musical culture of so-called Czech Silesia. In the Museum of the Silesian Region in the town of Opava he built a musicological workplace led by him in 1967–1987.
Karel Steinmetz
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On the Comparative Analysis of the Eurasian Region Cultures
An early article is devoted to the study of the concept of Eurasianism in the context of comparative art history. The presented article emphasizes that modern art history requires methodological innovations that will reveal the features not only of the ...
Рена Мамедова (Сарабська)
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The Self-Definition of Hellenic Identity through the Culture of Mousikē [PDF]
Altgriechische Quellen sind voll von Verweisen auf die Musik von Völkern, die nicht griechisch sind und deshalb stereotyp als ,Barbaren‘ bezeichnet werden.
Rocconi, Eleonora
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O Manguebeat como Movimento Cultural de Oposição ao Descaso do Estado fora do Eixo Rio-São Paulo
O presente trabalho tem como objetivo identificar como o Manguebeat se constituiu e se tornou um movimento cultural de oposição ao descaso do Estado fora do Eixo Rio-São Paulo.
ÉDER DE SOUZA BEIRÃO +4 more
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Local cultural diversity must be preserved and developed from generation to generation while maintaining the values contained therein. Media inheriting local cultural diversity can be done through education. Education in local content is intended so that
Retno Handayani +4 more
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The role of Russian specialists in the establishment of professional music in 20th century Tuva
The article examines the contribution made by Russian professional musicians, composers, choreographers and others in the establishment and development of Tuvan musical culture in the Soviet period.
Valentina Yu. Suzukey
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Objective/Context: This article arises from a study of the history of the FARC–EP’s Bloque Caribe. It seeks to broaden current explanations of the guerilla’s territorial expansion by using elements that come from cultural analysis. We discuss some habits
Ingrid Bolívar, Sergio Lizarazo
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El Cajón del Mariachi: Schemata of a Vernacular Genre
Mariachi music has long been recognized as a—perhaps the—central genre of vernacular music in Mexico, with scattered academic studies investigating its ties to Mexican culture, myth, and national identity.
Luis Zambrano, Amy Bauer
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Musical borderlands: A cultural perspective of regional integration in Africa [PDF]
This paper deploys a notion of "musical borderlands" to understand the practice and meaning of music production in an African context. This concept stresses flow rather than stasis, and liminal not dualistic thinking and being; it also relates economic and social practices to cultural content.
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