Results 271 to 280 of about 182,433 (297)
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CHOREOGRAPHIC AND MUSICAL ANALYSIS OF DANCE CULTURE ACCOMPANIMENT OF LEMKIV REGION
Bulletin of the Lviv University. Series of Arts Studies, 2023The matter about formulation, study and inveStigation process of the formulation of choreography culture in Ukraine as for example of Ukrainian ethnographic region of Lemkivshchyna is considered in the given article . The outlining of the matters of the importance of spreading and popularization of Ukrainian original culture, therefore the ...
Oleksandr PLAKHOTNYUK +2 more
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Country Music Radio and American Culture Regions
Journal of Cultural Geography, 1997Using a cultural regionalization of the United States, 162 listening areas are examined to discern the relative importance of regional and socioeconomic variables in predicting listenership ratings for country music radio stations. A regression analysis shows the significance of the Upland South (where the country style originated) and the Great Plains
Billy D. White, Frederick A. Day
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Music Regions and Mental Maps: Teaching Cultural Geography
Journal of Geography, 2010Music informs understandings of place and is an excellent vehicle for teaching cultural geography.
Shobe, Hunter, Banis, David
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Musical Intangible Cultural Heritage of the Polissian Region Near Rivne
Ethnologies, 2023La tradition folklorique de la région de la Polésie près de Rivne est archaïque, haute en couleur et relativement intacte jusqu’à nos jours. Des recherches dans ce domaine ont été menées depuis les débuts des études ethnographiques, il y a plus de deux cents ans, même si les résultats de ces études sont loin d’être suffisants.
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CONTRİBUTİON OF ELAZİG MUSİC CONSERVATORY ASSOCİATİON TO REGİONAL MUSİC AND SOCİO-CULTURAL STRUCTURE
2023The Elazig Music Conservatory Association, established in 1971, has been dedicated to preserving the Elazig-Harput regional music and passing it on to future generations in its most authentic form. Two years after its inception, the association attained the status of a public-benefit organization.
TUNÇ, Yüksel, KARABURUN DOĞAN, Derya
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Internationalism, Regionalism, and National Culture: Music Control in Bavaria, 1945–1948
Central European History, 2000Formany Germans in the immediate postwar period, all that remained of their country was its art. Subjugation, destruction, the pain of unfathomable guilt: these had ripped away at the national psyche, severing nation from nationalism, person from people, the present from the past.
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Popular Music and Society, 2016
AbstractThe resurgence of Occitan popular music traditions in France is coterminous with the emergence of postcolonial regionalism during the 1970s Larzac protests, following the wave of decolonization in the 1960s and anticipating the anti-globalization movement in subsequent decades.
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AbstractThe resurgence of Occitan popular music traditions in France is coterminous with the emergence of postcolonial regionalism during the 1970s Larzac protests, following the wave of decolonization in the 1960s and anticipating the anti-globalization movement in subsequent decades.
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Popular Music in Singapore: Exploring Local Cultures, Global Resources, and Regional Identities
Environment and Planning D: Society and Space, 1996As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they are somewhat divorced from the recent theoretical and methodological questions which have rejuvenated social and cultural geography.
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Cultural Diversity and the Musical Representation of California in Regional 1970s Television
2020In 1970, a television-show dance contest in a small California town ended abruptly when the studio was briefly plunged into darkness because of an apparent power failure. The media coverage of the event eventually helped uncover criminal activity at the studio; over the course of this reporting, the narrative was accompanied by select genres of music ...
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TRADITIONAL MUSICAL CULTURE OF THE VOLGA AND URAL REGIONS: THE MULTI-ETHNIC DIMENSION
Servis Plus, 2016The article analyzes the phenomenon of the traditional musical culture of ethnic groups of the Volga and Ural regions of the Turkic, Finno-Ugrian and Slavic origin, developed in the course of a permanent diversified mutual influence and mutual enrichment of distinctive ethnic, religious, regional and local components.
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