Results 31 to 40 of about 1,315 (170)

The Peculiarities of Intonational Approach Realization within the Course of Folk Solfeggio Based on Russian Traditional Culture [PDF]

Музыкальное искусство и образование, 2019
The given article touches upon reasonability and perspectivity of the development of intonation approach to the mastering of learning material at folk solfeggio lessons. As is known folk-oriented musical education has a long history
Olga V. Pivnitskaya
doaj   +1 more source

Traditional opera and young people: Cantonese opera as personal development

International Journal of Adolescence and Youth, 2017
Cantonese opera, one of the regional opera forms in China, flourishes mainly in the southern province of Guangdong. By exploring the culture of Cantonese operatic singing, this study explores the role of traditional music in the lives of young people ...
Wai Han Lo
doaj   +1 more source

Flautas arqueológicas del Ecuador

Resonancias, 2015
This article presents a study of approximately 1,000 organological artifacts from different pre- Hispanic cultures from Ecuadorian territory. The study focuses on the flute group, the most interesting group due to its internal variations and regional ...
José Pérez de Arce
doaj   +1 more source

Alan Lomax’s Cantometrics Project

Music & Science, 2018
Alan Lomax’s Cantometrics Project was arguably both the most ambitious and the most controversial undertaking in music and science that the world has known.
Patrick E. Savage
doaj   +1 more source

Traditional Multipart Singing in Poland in the Perspective of Ethnomusicology

Łódzkie Studia Etnograficzne, 2018
The article presents the history of documentation of multi-part singing in Poland and the state of research on this subject. The multi-part singing as the musical and culture phenomenon is regionally limited and can be recorded in Carpathian Mountains ...
Piotr Dahlig
doaj   +1 more source

Réinterpréter les musiques régionales du sud-ouest de la France dans les années 1970-1980

In Situ
In the early 1970s, in southwestern France, as elsewhere in the national territory at the same time as in Europe a little earlier, there was renewed interest in regional musical and choreographic objects that were being reinterpreted, giving rise to a ...
Bénédicte Bonnemason
doaj   +1 more source

The Influence of Music on Interethnic Relations of Sarajevo and Mostar’s Inhabitants

Etnoantropološki Problemi, 2021
Music and musical forms represent unfailing part of every human society and culture. Music can bond people and their communities, as it can be "in the service" of creating and transforming identities, e.g. ethnic, regional and local.
Bogdan Dražeta, Zorana Guja
doaj  

Informational Resources and Measures on Dissemination of Musical Culture of Volga Region in Late 1930s - First Half of 1940s

Научный диалог, 2018
The results of the study of history of musical culture of the Volga region in 1939-1945 are presented. The questions of information support of the Astrakhan, Kazan, Kuibyshev, Penza, Saratov, Stalingrad, Ulyanovsk, Engels models of musical and cultural ...
O. V. Tuzova
doaj   +1 more source

Osing Kids and the banners of Blambangan Ethnolinguistic identity and the regional past as ambient themes in an East Javanese town

Wacana: Journal of the Humanities of Indonesia, 2009
On the basis of the theoretical notions of discursive ambience and ambient discourse, this article examines the recent history of language and ethnicity in Banyuwangi in the far east of Java.
Bernard Arps
doaj   +1 more source

Regional musical culture management in 1939–1945 (on materials of the Volga Region)

Samara Journal of Science, 2017
The paper deals with some problems of musical institutions management in the Volga Region in 1939 1945 on the example of 8 musical cultural models of rear, frontal and front-line types: Kuibyshev, Ulyanovsk, Penza, Saratov, Engels, Kazan, Stalingrad, Astrakhan.
openaire   +2 more sources