Results 91 to 100 of about 329,002 (344)

Film and Christian Preaching: Toward a Cinemate Homiletic (Part I)

open access: yes, 2017
didn’t want you to enjoy the film. I wanted you to look very closely at your own soul Sam Peckinpah (Director) The cinema or pop film[2] has now become “the cathedral of the [twenty-first] century.”[3] Among its many implications, this metaphor keenly ...
Yang, Sunggu
core  

2003-2007 Report on Hate Crimes and Discrimination Against Arab Americans [PDF]

open access: yes, 2008
Analyzes rates, patterns, and sources of anti-Arab-American hate crimes and discrimination, including detainee abuse, delays in naturalization, and threats; civil liberties concerns; bias in schools; and defamation in the media.
Christine Gleichert   +6 more
core  

Boredom, despondency, and the scourge that lays waste at noon: an anthropology of acedia Ennui, abattement et le fléau qui frappe à midi : une anthropologie de l'acédie

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
Attentive to the ways that inertia can take hold of life, Catholic monks recognize despondency as a potential not only within the monastery, but in contemporary society more widely. Such experiences are regularly mapped onto an understanding of what early Christian monks termed ‘acedia’ (a Greek term that can be translated as ‘lack of care’). Taking as
Richard D.G. Irvine
wiley   +1 more source

Introduction: Towards a linguistic anthropology of AI Introduction : vers une anthropologie linguistique de l'IA

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
This essay introduces the themed cluster of articles, ‘Towards a linguistic anthropology of AI’. The advent of artificial intelligence (AI), especially in large language models capable of producing coherent discourse mimicking conversational interaction, is exerting unprecedented pressure on prevailing concepts of language, personhood, and the human ...
Webb Keane, Constantine V. Nakassis
wiley   +1 more source

The Past Tense of Our Selves: Um adeus português in 1980s Portugal

open access: yesJournal of Lusophone Studies, 2017
The central topic of João Botelho’s Um adeus português (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal.
Sérgio Dias Branco
doaj   +1 more source

Persistent Alarms Confronting New Priorities: Protestants in Africa in Italian and French Catholic Magazines (1945–1962)

open access: yesJournal of Religious History, EarlyView.
Anti‐Protestantism was one of the reasons for the revival of missions during the interwar period. By the 1960s, however, Protestants were less and less often mentioned as a threat to missionary efforts, and the decline in inter‐confessional tensions was increasingly considered a relic of the past.
Giacomo Canepa
wiley   +1 more source

The Politics of Religion in Sisworo Gautama Putra’s and Joko Anwar’s Pengabdi Setan

open access: yesK@ta: A Biannual Publication on the Study of Language and Literature, 2019
This research compares two films, the original Pengabdi Setan and its remake, in the context of politics of religion to show how the two films depict the issue of religion at two different eras based on the released years of the two films.
Anton Sutandio
doaj   +1 more source

Oppression and Racism Toward Black American in “12 Years a Slave” Movie [PDF]

open access: yes, 2015
The study deals with those oppressions faced by Black American in “12 Years aSlave” movie and what resistances they showed toward those oppressions. Theobjectives of the study are to describe the oppressions faced by the two maincharacters – Platt and ...
Murni, S. I. (Swi)
core  

‘The Good Couscous That Pleases Us!’: The Meanings of Enduring Imperialist Imagery in Postcolonial French Food Advertising, 1970–2000

open access: yesGender &History, EarlyView.
ABSTRACT This article examines a wave of Orientalism‐inspired food commercials that appeared on television in France between 1975 and 2000. Older commercials for couscous were more banal, emphasizing a given product's superiority or affordability. Around 1975, however, there was a concerted shift in the advertising; new spots contained exoticized ...
Kelly Ricciardi Colvin
wiley   +1 more source

Home - About - Disclaimer - Privacy