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2008
Abstract In the 1995 book Screening the Sacred, Joel Martin and Conrad Ostwalt (the author of this chapter) organized a group of essays around a tripartite typology for studying religion and film: theological, mythological, and ideological approaches.
exaly +5 more sources
Abstract In the 1995 book Screening the Sacred, Joel Martin and Conrad Ostwalt (the author of this chapter) organized a group of essays around a tripartite typology for studying religion and film: theological, mythological, and ideological approaches.
exaly +5 more sources
Brill Research Perspectives in Theology, 2020
Abstract Is cinema evil, or sacramental? Can films make theological contributions? Can film-viewing be a religious practice? How do films, values and power interact? The study of film and religion engages a range of diverse questions through different approaches and methods. In this contribution, I distinguish three complementary approaches.
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Abstract Is cinema evil, or sacramental? Can films make theological contributions? Can film-viewing be a religious practice? How do films, values and power interact? The study of film and religion engages a range of diverse questions through different approaches and methods. In this contribution, I distinguish three complementary approaches.
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Religion and Film Studies through theJournal of Religion and Film
Religion, 2011The Journal of Religion & Film (JR&F) provides scholars around the world with a forum for discussing the relationship between religion and film. It provides a venue where scholars and others interested in religion and film can join in a discussion about how God is portrayed in film, the retelling of religious studies, the retelling of religious stories,
William L. Blizek +2 more
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2022
This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, Earth, and The Secret of my Success.
openaire +1 more source
This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, Earth, and The Secret of my Success.
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2013
In 1911 one of the earliest documents examining the nature and function of cinema came from the Reverend Herbert A. Jump of Connecticut, a pamphlet entitled The Religious Possibilities of the Motion Picture. His thoughtful reflections on the novel medium envisioned a fertile marriage between the moving pictures and the church, leading to revival and ...
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In 1911 one of the earliest documents examining the nature and function of cinema came from the Reverend Herbert A. Jump of Connecticut, a pamphlet entitled The Religious Possibilities of the Motion Picture. His thoughtful reflections on the novel medium envisioned a fertile marriage between the moving pictures and the church, leading to revival and ...
openaire +1 more source
2005
1. Film und Religion stehen seit den Anfangen des neuen Mediums in einer fruchtbaren Spannung. Sie halt sich durch von den fruhesten Stummfilmen mit biblischen Motiven uber die grosen Hollywood-Klassiker und die Produktionen der Meister des ›religiosen‹ Film aus dem sakularen Frankreich bis hin zum Transfer der Thematik in die neuen Mythen von Kino und
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1. Film und Religion stehen seit den Anfangen des neuen Mediums in einer fruchtbaren Spannung. Sie halt sich durch von den fruhesten Stummfilmen mit biblischen Motiven uber die grosen Hollywood-Klassiker und die Produktionen der Meister des ›religiosen‹ Film aus dem sakularen Frankreich bis hin zum Transfer der Thematik in die neuen Mythen von Kino und
openaire +1 more source