Results 251 to 260 of about 12,382,005 (302)
Performativity of the Memory of Religious Places Through Sound and Image
Religions, 2023 In this essay, we explore and deepen the confluence between sound and image, linking and relating concepts, purposes and coherence of artistic practices mediating and reconfiguring the memory of religious places. We observed that the performativity of memory, as an autobiographical concept, can be enhanced through live audiovisual performances in ...
Frederico Dinis
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Journal of Religion & Health, 1979
In the tradition of Jung's analytical psychology, specimen dreams are given to illustrate: 1) traditional religious images modified by the personal context; 2) dreams in which material appears that has traditional religious meaning, but not in the conscious religious tradition of the dreamer ("archetypal images" in dreams); and 3) dreams that seem to ...
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In the tradition of Jung's analytical psychology, specimen dreams are given to illustrate: 1) traditional religious images modified by the personal context; 2) dreams in which material appears that has traditional religious meaning, but not in the conscious religious tradition of the dreamer ("archetypal images" in dreams); and 3) dreams that seem to ...
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Reactions of Religious Fundamentalists to Taboo Images and Words
Psychological Reports, 2013Some view religious fundamentalism as inclusive of fear of the world as a dangerous place. Fundamentalists are known to have extensive taboo lists, but research concerning their reactions to taboo stimuli is sparse. If fear is a basic component of fundamentalism, then reactions to taboo stimuli should be somewhat similar to common fear reactions ...
Bates, Larry W. +3 more
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2017
The chapter provides an overview of two tendencies in the transformation of the status of religious motifs in art starting with the painting of Caspar David Friedrich and ending with Expressionism. This period was characterised by a major shift in the mutual positioning of art and religion both institutionally and aesthetically.
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The chapter provides an overview of two tendencies in the transformation of the status of religious motifs in art starting with the painting of Caspar David Friedrich and ending with Expressionism. This period was characterised by a major shift in the mutual positioning of art and religion both institutionally and aesthetically.
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Truth Claims for Religious Images
Religious Studies, 1966A rough circumscription of our area of study will be achieved when I say that by images I mean the kind of thing about which Ian Crombie and Austin Farrer have written in Faith and Logic and Farrer also in The Glass of Vision. In the latter work Farrer cites as examples of religious images the Kingdom of God, the Son of Man, the Israel of God and the ...
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Marian Images and Religious Identities in the Middle East
2022Item does not contain ...
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Woman in Yoruba religious images
African Languages and Cultures, 1989(1989). Woman in Yoruba religious images. African Languages and Cultures: Vol. 2, No. 1, pp. 1-18.
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Branding the Image of Religious Heritage in India
2023This research attempts to examine the image branding and placemaking of cultural and religious landscapes in India through ongoing tourism initiatives. With reference to the massively successful “Incredible India” campaign and multiple state tourism campaigns, the research is based on the case studies of key tourism initiatives introduced in the ...
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Synthesis of Word and Image in the Religious Art
Folk art and ethnology, 2022The problems of synthesis of religious art and literature in medieval culture are considered in the article. The nature of interactions of the artistic material and its text basis is investigated. Historical lore and the descriptions of the eyewitnesses of the Jesus Christ, the Mother of God, Apostles have been of a great significance at the early ...
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Images and Religious History in Italy
Church History and Religious CultureAbstract The aim of this article is to present historical research conducted by Italian historians and art historians who have treated images as historical sources whose testimonial value is the same as that of written (literary and archival) sources. After a brief introduction into the origins of these methods and the development of the Warburgian
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