Results 111 to 120 of about 50,937 (238)

Anselm's Temporal‐Ontological Proof

Noûs, EarlyView.
ABSTRACT In his Reply to Gaunilo, Anselm presented two additional arguments for the existence of God beyond those that appear in the Proslogion. In “The Logical Structure of Anselm's Argument,” Robert M. Adams isolates each. One, he develops into a modal ontological argument along the lines of other 20th century ontological arguments (e.g., those of ...
Daniel Rubio
wiley   +1 more source

Jungian categories as modes of reading: The case of Graham Greene's The Heart of the Matter and Aldous Huxley's Time Must Have a Stop

Orbis Litterarum, EarlyView.
Abstract This essay advocates renewed attention toward Jungian literary criticism, emphasizing its unique and creative perspectives on both fictional worlds and on reading. A fresh turn to Jungian criticism offers, in particular, valuable insight for texts on the peripheries of the canon.
Edsel Parke
wiley   +1 more source

From Everyman to Hamlet: A Distant Reading

Renaissance Studies, EarlyView.
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley   +1 more source

From natural theology to the extended synthesis: Historical milestones and conceptual expansions in evolutionary biology. [PDF]

Genet Mol Biol
Prosdocimi F, Garbin M, Dondero F.
europepmc   +1 more source

"There is No Reliable Evidence to Pass Moral Judgment on Frauwallner." : Erich Frauwallner, Jakob Stuchlik, Walter Slaje, and the Whitewashing of Austrian Indology During the Time of National Socialism. [PDF]

NTM, 2023
Franco E.
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

Renaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Opening the Sacred Chamber: The Cultural and Ethical Odyssey of Cardiac Surgery. [PDF]

J Cardiovasc Dev Dis
Leivaditis V, Mavroudes G, Mulita F, Baikoussis NG, Papatriantafyllou A, Garantzioti V, Tasios K, Tchabashvili L, Litsas D, Katsakiori P, Assimakopoulos SF, Nikolakopoulos K, Antzoulas A, Liolis E, Papadoulas S, Koletsis E, Dahm M.   +16 more
europepmc   +1 more source

Has God Been and Gone? [PDF]

Sophia, 2021
Hutchings P.
europepmc   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

Renaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

Development of the self-directed RECEIVE Forgiveness workbook: a Christian-sensitive resource to support experiencing reconciliation with God. [PDF]

Front Psychol
Cowden RG, Rutledge JC, Jackson-Meyer K, Cook KV.   +3 more
europepmc   +1 more source