Results 121 to 130 of about 62,532 (291)
Abstract The ‘widow’ is a gendered, socially contingent category. Women who experienced spousal bereavement in the early middle ages faced various socio‐economic and legal ramifications; the ‘widow’ was further a rhetorical figure with a defined emotional register. The widower is, by contrast, an anachronistic category.
Ingrid Rembold
wiley +1 more source
The Restless Spirit: Music of Johannes Brahms, April 6, 2010 [PDF]
This is the concert program of the The Restless Spirit: Music of Johannes Brahms performance on Tuesday, April 6, 2010 at 7:30 p.m., at Symphony Hall, 301 Massachusetts Avenue, Boston, Massachusetts. Works performed were Nänie, op. 82, Alto Rhapsody, op.
School of Music, Boston University
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Where's the beef? The feminisation of weight‐loss dieting in Britain and Scandinavia c.1890–1925
Abstract Representations of the slim body have traditionally been at the centre of scholarly interest in dieting culture, whereas food often remains a shadowy presence compared with more persistent themes of body discipline, slenderness and anti‐fat messages.
Emma Hilborn
wiley +1 more source
Pedro Nel Ortíz Lozano ofrece en este apartado algunas notas sobre el mes de agosto de 1974 para dar un contexto social y económico al lector: Réquiem por una Avenida.
Pedro Nel Ortíz Lozano
doaj
Boston University Symphonic Chorus and Chamber Orchestra, November 22, 2010 [PDF]
This is the concert program of the Boston University Symphonic Chorus and Chamber Orchestra performance on Monday, November 22, 2010 at 8:00 p.m., at Old South Church, 645 Boylston Street, Boston, Massachusetts.
School of Music, Boston University
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Scandalisation, gender and space in ancient Rome: The case of Cicero and Clodia
Abstract This article analyses the public attack on Clodia Metelli, a Roman aristocratic woman, by the orator Marcus Tullius Cicero in a trial in 56 BCE. Drawing on modern scandal theory, this article analyses how Cicero uses scandal dynamics to turn Clodia, the witness in the case, into the culprit.
Muriel Moser
wiley +1 more source
El texto “Música”, escrito por Yukio Mishima, narra un psicoanálisis efectuado con éxito. El argumento inicia con la imposibilidad de Reiko por experimentar la música -música en tanto orgasmo- que le lleva a consultar a Shiomi, su analista.
Roberto Marín Villalobos +1 more
doaj
Requiem banana man: banana farming in the commonwealth of Dominica [PDF]
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Monaghan, Wendy
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