Results 11 to 20 of about 62,532 (291)

Ołtarz „Męczenników II wojny światowej” w Lądzie i utwór „Domius regit me. Psalm 23” skomponowany przez Pawła Łukaszewskiego na uroczystość poświęcenia ołtarza

open access: yesSeminare, 2022
W 2010 r. jeden z XVIII-wiecznych bocznych ołtarzy kościoła w Lądzie, postanowiono poświęcić męczennikom II wojny światowej: więzionym w Lądzie kapłanom i „Poznańskiej Piątce”. W latach 2011-2013, według koncepcji ks.
Janusz Nowiński
doaj   +1 more source

THE ART OF MARIA CEBOTARI IN THE INTERPRETATION OF THE VOCALSYMPHONIC WORKS OF THE VIENNESE CLASSICS [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022
The article contains information about the achievements of M. Cebotari in the interpretation of the vocal-symphonic works of the composers of the Viennese classical era: J. Haydn, W.A. Mozart and L.
PILIPETSKII, SERGHEI
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Number 13 / Part I. Music. 6. Requiem by Karl Jenkins. An Analytical Approach to The Interweaving of Various Traditions in Music

open access: yesReview of Artistic Education, 2017
In the diverse space of contemporary music, the fascinating and controversial personality of the Welsh composer Karl Jenkins, which is surprising from several perspectives, stands out.
Iațeșen Loredana Viorica
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The Idea of Transfiguration in the Early German Reception of Mozart’s Requiem

open access: yesCurrent Musicology, 2006
Over the past two hundred years, authorship disputes have dominated scholarly discussions about Mozart’s Requiem. From the analysis of handwriting to the provenance of manuscript evidence, much debate has occurred over who wrote what when and about the ...
Elizabeth Kramer
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The spectable of pompousity in funerals: The 1816 Requiem of José Maurício Nunes Garcia

open access: yesPer Musi, 2019
George Balandier in his work "Le pouvoir sur scènes" (1980) states that forms of power are represented by the spectacularization of rituals, becoming a "theatocracy" or performance of a set of behaviors that produces an idealized image of themselves, for
Ana Guiomar Rêgo Souza
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Caferîlerin Dinî Pratiklerinde Mûsikînin Yeri (Kars İli Örneği)

open access: yesTurkish Academic Research Review
Türk din mûsikîsi sahasındaki akademik çalışmalara bakıldığında, bunların geçen otuz-kırk senelik bir zamana rast geldiği görülmektedir. Bu araştırmalarda öncelikle cami mûsikîsine dair incelemelere ağırlık verilmekle birlikte, tekke mûsikîsi sahasındaki
Mehmet Tıraşcı, Tolgay Ünlükaya
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Mozart and Salieri and Boris Godunov: Hidden Parallels [PDF]

open access: yesДва века русской классики
Pushkin’s short tragedy Mozart and Salieri has been in the field of view of researchers for almost 200 years. The result of understanding the tragedy during the time that passed from the first publications about it to the end of the 20th century was the ...
Pavel V. Khondzinsky
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Dental Morphology, Palaeoecology and Palaeobiogeographic Significance of a New Species of Requiem Shark (Genus Carcharhinus) from the Lower Miocene of Peru (East Pisco Basin, Chilcatay Formation)

open access: yesJournal of Marine Science and Engineering, 2022
Nowadays, the requiem sharks comprise one of the most diverse and widespread families of selachians, i.e., Carcharhinidae. Among the carcharhinids, the genus Carcharhinus has the largest number of living species, namely, at least 35.
Alberto Collareta   +7 more
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Requiem. Resonanzen katholischer Totenliturgie in Vergangenheit und Gegenwart

open access: yesYearbook for Ritual and Liturgical Studies, 2018
Liturgical music at Roman-Catholic funerals has a very diverse character in contemporary Western society, especially in a strongly secularized country like the Netherlands.
Thomas Quartier
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Harmonic gradations in the third movement of the String Quartet n. 2 by György Ligeti: the reevaluated concept of micropolyphony

open access: yesPer Musi, 2022
From Lacrimosa (Requiem) Ligeti modifies his language as he gradually leaves the cluster's harmony. He starts inserting holes in the texture and using a smaller number of instruments.
Claudio Vitale
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