Results 11 to 20 of about 84 (74)
Socio-Cultural Basis of the Ideology of Socialism in Montenegro [PDF]
, 2021 The paper discusses, in the chronological and problematic perspective, the essential reasons for the effective adaptation of socialist ideas in Montenegro in 20th century.
Miodyński, Lech, Lech Miodyński
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NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG
German Life and Letters, Volume 75, Issue 3, Page 430-447, July 2022., 2022 ABSTRACT While the German Expressionists announced an end to bourgeois art, hopes of a literary revolution also rose in the labour movement. Since the 1910s, worker poets, such as Gerrit Engelke and Karl Bröger; literary critics, such as Julius Bab; and leading political figures of the Social Democratic Party such as Clara Zetkin, proclaimed a poetical
Annika Hildebrandt
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GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 1900
German Life and Letters, Volume 75, Issue 3, Page 410-429, July 2022., 2022 ABSTRACT Retrospective accounts of the life and works of Robert Burns offer us examples of how ‘genius’ functioned in the nineteenth century, not only as a concept of inspired, natural authorship but also as a way of establishing and stabilising class identity and belonging.
Paul Keckeis
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Journal of Philosophy of Education, Volume 56, Issue 2, Page 329-341, April 2022., 2022 Abstract This article explores the educational philosophy of Asja Lācis' proletarian children's theatre. Taking her post–First World War encounter with Russian street children as a starting point for my inquiry, I argue that Lācis regards the theatre as a rehearsal space for life.
Katja Frimberger
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ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT
German Life and Letters, Volume 75, Issue 2, Page 266-282, April 2022., 2022 ABSTRACT During his first trip to the US in 1929 Ernst Toller was impressed by the Newsreel cinemas of William Fox. In his words – ‘die Zeitung ist lebendig geworden’ – the films were a sort of ‘living newspaper’. He tried to write such a ‘Living Newspaper’ in his first radio play Berlin, letzte Ausgabe!
Michael Pilz
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The German Quarterly, Volume 95, Issue 1, Page 19-37, Winter 2022., 2022 Der Zauberberg ist von der Forschung unter Rückgriff auf einen von Thomas Mann selbst verwendeten Begriff häufig als „Zeitroman” beschrieben worden. Dabei hat oft die Frage nach den historischen und literaturgeschichtlichen Zusammenhängen des Texts – als Rückblick auf das Vorkriegseuropa beziehungsweise als Spiegel der klassischen Moderne – im ...
Tim Sommer
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German Life and Letters, Volume 74, Issue 3, Page 416-438, July 2021., 2021 ABSTRACT In the wake of contemporary anxieties about climate change and environmental degradation, biographers of Alexander von Humboldt have sought inspiration from his life as an explorer, a plant geographer and a scientific writer. A ‘green Humboldt’ has emerged, to many a key thinker on the environment, to some the founding father of modern ...
Nicolaas Rupke
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German Life and Letters, Volume 74, Issue 1, Page 109-129, January 2021., 2021 Abstract The article focuses on specific forms, characters and types of ‘primary rejection’ or refusal that emerged in German subculture and deviant counterculture in the 1960s and 1970s, rejecting the cultural norms of mainstream society. Beginning with socially distinctive figures such as the layabout and the commune‐dweller, the article examines ...
Sara Bangert
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Chemie Ingenieur Technik, Volume 92, Issue 12, Page 1998-2004, Dezember 2020., 2020 Die Modularisierung von Prozessen in der Prozessindustrie gewinnt seit Jahren an Bedeutung. In ersten Anlagen konnte die Vorteilhaftigkeit modularer Produktionsumgebungen bestätigt werden. Das der Schritt von der klassischen Produktion hin zu modularen Anlagen schrittweise erfolgen kann, demonstriert das in diesem Artikel vorgestellte ...
Nikolas Jürgensmeyer +4 more
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German Life and Letters, Volume 73, Issue 3, Page 365-382, July 2020., 2020 ABSTRACT This article examines Berta Lask's drama Thomas Münzer (1925), which was commissioned by the Kommunistische Partei Deutschlands (KPD) and staged in Eisleben to mark the 400th anniversary of the German Peasants’ War (1524–5) and the execution of Thomas Müntzer.
Catherine Smale
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