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Reading from the Periphery: Ricardo Piglia and the Liberal Arts
Roy Ketchum
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Ricardo Piglia’s The Absent City
Latin American Perspectives, 2009The Argentine novelist Ricardo Piglia’s The Absent City reflects upon the retrieval of the past as a prerequisite for healing from national trauma. If postdictatorship countries are to implement a transition to democracy, their citizens must confront the past. The denial of national trauma perpetuates tyranny.
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Ricardo Piglia is one of the most influential Latin American writers of the second half of the 20th century. The literary strategies he developed in his work are recognizable and admired for their originality and great impact on the cultural field in the Spanish language: first, because of the shifting and re-evaluation of marginal authors and the use ...
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Life Signs: Ricardo Piglia’s Cyborgs
2006Ricardo Piglia’s La ciudad ausente (1992) [The Absent City] has received a considerable amount of critical attention in the ten years following its publication, including chapters or sections in three of Duke University Press’s most recent books on Latin American culture and narrative.1 This attention has confirmed Piglia’s prominent position in Latin ...
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Las elecciones de Ricardo Piglia
2019Fil: Rodriguez Persico, Adriana Cristina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Filosofía y Letras.
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Productivity growth, Smith effects and Ricardo effects in Euro Area's manufacturing industries
Metroeconomica, 2020Emilio Carnevali +2 more
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A ficção especulativa de Ricardo Piglia
RESUMO O objetivo deste artigo é analisar e refletir acerca do processo criativo do romance Respiração artificial (1980), primeiro romance do escritor argentino Ricardo Piglia (1940-2017). Após publicação dos três volumes de Os diários de Emilio Renzi, ocorrida entre 2015 e 2017, ficou ainda mais evidente o projeto borgeano de Piglia que pensa a ...openaire +1 more source
La ficción especulativa de Ricardo Piglia
El objetivo de este artículo es reflexionar acerca del proceso creativo de Respiración artificial (1980), primera novela del escritor argentino Ricardo Piglia (1940-2017). En Los diarios de Emilio Renzi, publicados entre 2015 y 2017, Piglia parece haber profundizado el proyecto borgeano de lo literario como indisociable de la teoría y la crítica.openaire +1 more source

