Results 31 to 40 of about 11,225 (211)
Tolerance to ridiculous impacts in school children with a great range of psychological well-being
The impact of the psychological well-being level of high school seniors on their tolerance for cognitive load was analyzed. The study involved 93 students: 45 males and 48 females – 11th-grade students from Dnipro (Ukraine), who were categorized into ...
Olena Khomenko, Iryna Kofan
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The Appearance of the Gods in the Dionysiaca of Nonnus
Nonnus, writing as a Christian poet, uses visual details in ways that characterize the pagan gods as inadequate or ridiculous.
Laura Miguélez Cavero
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كینث برنارد ومسرح التفاھة والھزل: صورة مصغرة لعالم مفكّك ومنھار
The paper deals with the contemporary American playwright, Kenneth Bernard, and his Theatre of the Ridiculous. This theatre, which originated in the 1960s and 1970s, aims at undermining dramatic and social conventions, and political, psychological ...
الدكتورة منى العلوان
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CHINESE-INDONESIANS MUST SUPPORT #PAPUANLIVESMATTER
As we know that Indonesia has so many groups of people and cultures, because it makes us be one in Pancasila, which has meaning even though we are different but we are still one entity.
Astin Leuisa Masyafira +2 more
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Linguistic taboos exist in most cultures. Tabooed words are generally being culturespecific and relating to bodily functions or aspects of a culture that are sacred.
رفيدة كمال عبد المجيد
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The grotesque as it appears in Western art history and in Ian Marley’s creative creatures
This article presents a theoretical exploration and reading of the notion of the grotesque in Western history of art to serve as background to the reading of the original creatures in the “Tracking creative creatures” project.1 These creatures were drawn
R. Swanepoel
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Parody, Controversy, Commercial Opportunity: Samuel Foote’s The Minor (1760) and Its Reception
This article studies Samuel Foote’s comedy The Minor, created in 1760, and the controversy it provoked. As Foote’s play satirizes George Whitefield and his preaching, its legality was debated. The use of scriptural quotations by ridiculous characters was
Pierre Labrune
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The article highlights Rabelais’s reception as a dissident author: in the 17th century, not only has he been misjudged as many critics have emphasized it (Lazare Sainéan, Jacques Boulenger), but also felt to be warlike.
Dorothée Lintner
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Background and challenges to implementation As part of a comprehensive strategy (2015-2018), aimed at protecting children from the temptations of tobacco, cross-media communication is an important instrument for the Dutch Cancer Society to increase ...
Marloes Carlier, Laura Houtenbos
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In the 1710s and 1720s, librettist Pietro Pariati and composer Francesco Bartolomeo Conti cultivated the highly specific genre of tragicommedia per musica at the Habsburg court in Vienna. Of particular interest is their tragicomedy Penelope (1724), which
Livio Marcaletti
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