Results 51 to 60 of about 11,225 (211)
Comment vous appelez-vous?: Why the French Change Their Names
Names, 1998 We examine the history, processes, and motivations which explain in part why and how the French change their names. Studying a small but representative sample of official name changes mandatorily published in the JournaL OfficieL de La République ...
James E. Jacob, Pierre L. Horn
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Mediating the Sublime: Immersive Encounters with Goya and Munch
Museum & SocietyContributing to ongoing debates surrounding immersive experiences in museums, this essay proposes the aesthetic category of the sublime as a productive framework for immersive mediation and exhibition-making.
Nikita Mathias
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Bildkarikaturen zum Kampf ums Heinedenkmal
Revista de Filología Alemana, 2007 The struggle for a Heine monument in Germany which erupted in 1887 is evidenced by cartoons published in satirical newspapers. These cartoons with ridiculous elements of hyperbole, exaggeration and distortion are often connected with the grotesque, the ...
Dietmar Goltschnigg
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CLOWN IN CIRCUS PERFORMANCE OR IS THE RIDICULOUS RIDICULOUS?
Докса, 2005 Цирковое представление вполне может рассматриваться как театральное действо, тем более что цирк и театр имеют общие истоки, а многие режиссерские постановки в цирке учитывают привлекательность для зрителей драматургии, родственной театрально-драматической, включающей тематическое единство и сюжетное развитие. И цирк, и театр могут получить истолкование
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Reasonable or Ridiculous? Engineering Intuition in Simulations [PDF]
, 2016 Elif Miskioğlu, Kaela Martin
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Leading Safely: ‘ridiculous’ Lessons from Oil and Other Industries [PDF]
, 2005 Phil Hadridge
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Jurnal Sosiologi Agama, 2013 This study examines cultural and religious phenomena ofpetilasanpewayangan myths inthe mountain of Rahtawu, Muria, Central Java. Petilasan is a sacred site(s) referring to an ancestor(s).
Ahsan Tohar
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