Corona Concerts: The Effect of Virtual Concert Characteristics on Social Connection and Kama Muta. [PDF]
Swarbrick D +3 more
europepmc +1 more source
Musical and Bodily Predictors of Mental Effort in String Quartet Music: An Ecological Pupillometry Study of Performers and Listeners. [PDF]
Bishop L, Jensenius AR, Laeng B.
europepmc +1 more source
El ritmo musical aplicado a la composición arquitectónica. Las Acústicas Visuales de Iannis Xenakis
Consiste en un estudio de investigación a través del cual llego a una síntesis entre arquitectura y música. Un primer estudio general de la vida y obra de Iannis Xenakis centrado en La Tourette (arquitectura) y Metastaseis (música) me llevará a entender ciertos patrones profesionales que luego dirigiré cada vez más al detalle.
García de Parada Asensio, Ignacio +1 more
openaire +1 more source
Revealing rhythm categorization in human brain activity. [PDF]
Barbero FM +5 more
europepmc +1 more source
Does music support executive functions and affective responses during acute exercise? A systematic review and meta-analysis. [PDF]
Danso A +14 more
europepmc +1 more source
The relationship between rhythm perception abilities and perceptual learning in syllable- versus stress-timed languages. [PDF]
Tetzloff KA, Yoho SE, Borrie SA.
europepmc +1 more source
The effects of auditory stimulation on heart rate variability in healthy individuals with normal hearing and with hearing loss: a systematic review and meta-analysis. [PDF]
Silva BCS +4 more
europepmc +1 more source
The brain tracks auditory rhythm predictability independent of selective attention. [PDF]
Foldal MD +5 more
europepmc +1 more source
Sistemas de notación musical alternativos (I): Una aproximación a la grafía del ritmo acentual
The acquisition of knowledge, skills and abilities related to the reading and writing of music implies a degree of considerable difficulty. Traditional approaches to music education are directed education are directed toward the knowledge of western music notation symbols.
openaire +1 more source

