Results 171 to 180 of about 68,591 (221)
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1995
Abstract In 1839, Clara Wieck, soon to become Clara Schumann, noted in her diary that “it would be best if [Robert] composed for orchestra; his imagination cannot find sufficient scope on the piano. His compositions are all orchestral in feeling.
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Abstract In 1839, Clara Wieck, soon to become Clara Schumann, noted in her diary that “it would be best if [Robert] composed for orchestra; his imagination cannot find sufficient scope on the piano. His compositions are all orchestral in feeling.
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1997
Abstract Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world’s great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal ...
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Abstract Forced by a hand injury to abandon a career as a pianist, Robert Schumann went on to become one of the world’s great composers. Among many works, his Spring Symphony (1841), Piano Concerto in A Minor (1841/1845), and the Third, or Rhenish, Symphony (1850) exemplify his infusion of classical forms with intense, personal ...
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Seminars in neurology, 2000
Robert Schumann, one of the giants of early romantic music, was born in Saxony in 1810 and died in an asylum shortly after his 46th birthday. Early in life, he demonstrated extraordinary skills in both music and journalism; he remained active in both areas until his final illness.
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Robert Schumann, one of the giants of early romantic music, was born in Saxony in 1810 and died in an asylum shortly after his 46th birthday. Early in life, he demonstrated extraordinary skills in both music and journalism; he remained active in both areas until his final illness.
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2001
Abstract The fifty years that have now passed since the death of Robert Schumann are crowded with musical developments of such various kinds and so variously related to Schumann’s work that, in the present state of musical party politics, opinions are as likely to differ about Schumann almost as much, though per haps not as violently, as
Michael Tilmouth +2 more
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Abstract The fifty years that have now passed since the death of Robert Schumann are crowded with musical developments of such various kinds and so variously related to Schumann’s work that, in the present state of musical party politics, opinions are as likely to differ about Schumann almost as much, though per haps not as violently, as
Michael Tilmouth +2 more
openaire +1 more source