Results 51 to 60 of about 68,591 (221)
Subjective appropriation of musical form in Schumann’s Carnaval, op. 9
Journal of Science and Technology of the Arts, 2014 The aim of this article is to analyze musical form in german composer Robert Schumann’s works (8 June 1810 – 29 July 1856), particularly that of piano solo piece Carnaval, op.
Teresa Palma Pereira +2 more
doaj +1 more source
Heller Undergraduate Studio Recital, December 2, 1989 [PDF]
, 1989 This is the concert program of Heller Undergraduate Studio Recital performance on Saturday, December 2, 1989 at 1:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Dans un bois solitaire,
School of Music, Boston University
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TAXON, Volume 75, Issue 2, April 2026.Abstract The presently most densely sampled molecular phylogeny of the widespread New World subtribe Gonolobinae is presented, including about 35% of the ca. 520 species. Sampling focused on an even representation of the three main areas of total Gonolobinae distribution, South America, Central/North America, and the West Indian Islands, and the ...
Sigrid Liede‐Schumann +4 more
wiley +1 more source
„BREVILOQUENZA COMPONISTICA“ – ROBERT SCHUMANN AND „FRAUENLIEBE UND LEBEN“ (PART III)
Studia Universitatis Babeş-Bolyai. Musica, 2010 Robert Schumann, one of the most famous Romantic composers of the first half of the nineteenth century, by his lieder Frauenliebe und Leben made me to feel and to want also, to send this personal reflection of music that addresses the heart of the women
Claudia POP
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Estetika fragmenta kot ključ za razumevanje Schumannove Hausmusik
Muzikološki Zbornik, 2007 Schumannova glasba – predvsem tista, ki je nastala nekako do leta 1840 – velja danes za paradigmo romantične glasbene umetnosti. Skladateljevo navdušenje nad sočasno romantično literaturo ni ostalo zgolj na ravni recepcije in posameznih literarnih ...
Katarina Bogunović Hočevar
doaj +1 more source
George Fortune, baritone and Allen Rogers, piano, November 5, 1987 [PDF]
, 1987 This is the concert program of the George Fortune, baritone and Allen Rogers, piano performance on Thursday, November 5, 1987 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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Faculty recital series: Bayla Keyes, Robert Merfeld, and Michael Reynolds, February 6, 2009 [PDF]
, 2009 This is the concert program of the faculty recital of Bayla Keyes, Robert Merfeld, and Michael Reynolds on Friday, February 6, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Boston University Orchestras, October 17, 1987 [PDF]
, 1987 This is the concert program of the Boston University Orchestras performance on Saturday, October 17, 1987 at 8:00 p.m., at the Concert Hall, 855 COmmonwealth Avenue. Works performed were Serenade in A major, Op. 16 by Johannes Brahms, and Symphony No.
School of Music, Boston University
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Faculty recital series: Shiela Kibbe, April 7, 2009 [PDF]
, 2009 This is the concert program of the faculty recital of Shiela Kibbe on Tuesday, April 7, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Myrten, op.
School of Music, Boston University
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Boston University Chamber Orchestra, September 29, 2014 [PDF]
, 2014 This is the concert program of the Boston University Chamber Orchestra performance on Monday, September 29, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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