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VIRTUAL HERITAGE ARCHIVES: BUILDING A CENTRALIZED AUSTRALIAN ROCK ART ARCHIVE [PDF]

The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, 2013
This paper examines use of multi-media in the curation, presentation and promotion of rock art. It discusses the construction of a centralised Australian rock art database and explores new technologies available for looking at rock art.
R. A. Haubt
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By All Means Necessary – 2.5D and 3D Recording of Surfaces in the Study of Southern Scandinavian Rock Art

Open Archaeology, 2018
Southern Scandinavia is Europe’s richest region in terms of figurative rock art. It is imperative to document this cultural heritage for future generations.
Horn Christian, Ling Johan, Bertilsson Ulf, Potter Rich   +3 more
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Drawing in the Digital Age: Observations and Implications for Education

Arts, 2019
This paper looks at recent examples of how drawing is advancing into the digital age: in London: the annual symposium on Thinking Through Drawing; in Paris: an exhibition at the Grand Palais, Artistes et Robots; a conference at the Institut d&rsquo ...
Seymour Simmons
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The Domestication of Humans

Encyclopedia, 2023
The domestication of humans is not an issue of domesticity but of the effects of the domestication syndrome on a hominin species and its genome. These effects are well expressed in the ‘anatomically modern humans’, in their physiology, behavior, genetic ...
Robert G. Bednarik
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To Bring Back some Eagleness to Eagles: On Bird Worldings in the Bronze Age

Current Swedish Archaeology, 2020
This paper explores multispecies relations in the Bronze Age in northern Europe in general, and in particular some of the intra-actions between humans and eagles. The paper is a call to embrace eagles as co-actors in unfolding human worldings.
Joakim Goldhahn
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Pleistocene Paleoart of Europe

Arts, 2014
As in Australia, Pleistocene rock art is relatively abundant in Europe, but it has so far received much more attention than the combined Ice Age paleoart of the rest of the world. Since archaeology initially rejected its authenticity for several decades,
Robert G. Bednarik
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Pleistocene Palaeoart of the Americas

Arts, 2014
In contrast to the great time depth of Pleistocene rock art and mobiliary ‘art’ in the four other continents, the available evidence from the Americas is very limited, and restricted at best to the last part of the final Pleistocene. A review of what has
Robert G. Bednarik
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Addendum: Bednarik, R.G. Pleistocene Palaeoart of the Americas. Arts, 2014, 3, 190-206.

Arts, 2014
The author wishes to add the following paragraph to his paper published in Arts [1], doi:10.3390/arts3020190, website: http://www.mdpi.com/2076-0752/3/2/190.[...]
Robert G. Bednarik
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Pleistocene Paleoart of Australia

Arts, 2014
Pleistocene rock art is abundant in Australia, but has so far received only limited attention. Instead there has been a trend, begun over a century ago, to search for presumed depictions of extinct megafauna and the tracks of such species.
Robert G. Bednarik
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Green Images in Indian Rock Art

Arts
In India, particularly in central India, a large number of early images were created using green pigments. Within the green images or images in the earliest style, one can see that some extremely naturalistic animal figures were made with green and dark ...
Meenakshi Dubey Pathak
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