Results 181 to 190 of about 3,166,505 (248)
Some of the next articles are maybe not open access.
JAMA: The Journal of the American Medical Association, 1979
To the Editor.— Dr Aldona Jonaitis' comments (240:736, 1978) on my article "North American Indian Rock Art and Hallucinogenic Drugs" (239:1524, 1978) are appreciated. I trust that my deliberations—which by necessity were confined to an examination of a possible relationship between the rock art of two specific areas and plant-derived hallucinogens—did
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To the Editor.— Dr Aldona Jonaitis' comments (240:736, 1978) on my article "North American Indian Rock Art and Hallucinogenic Drugs" (239:1524, 1978) are appreciated. I trust that my deliberations—which by necessity were confined to an examination of a possible relationship between the rock art of two specific areas and plant-derived hallucinogens—did
openaire +2 more sources
New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park
, 2020This paper presents findings from a recent study of the Anbangbang Gallery in the Burrungkuy (Nourlangie) site complex of Kakadu National Park, Australia.
Sally K. May +12 more
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2022
Abstract This chapter focuses on Kevin Sudeith’s rock carvings, which he refers to as petroglyphs. There is something straight-shooting and straightforward about Sudeith’s work. The figures are intelligible and the sentiments that lie behind them are suitable for children and grandparents—downright patriotic, almost. But spend a bit more
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Abstract This chapter focuses on Kevin Sudeith’s rock carvings, which he refers to as petroglyphs. There is something straight-shooting and straightforward about Sudeith’s work. The figures are intelligible and the sentiments that lie behind them are suitable for children and grandparents—downright patriotic, almost. But spend a bit more
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Abstract This chapter presents a review of the main bodies of Mesolithic rock art in Europe, from the earliest signs of post-Palaeolithic art to the lively scenes of Spanish Levantine art and the Late Mesolithic ‘rock art explosion’ in northern Europe.
Lahelma, Antti, Gjerde, Jan Magne
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Lahelma, Antti, Gjerde, Jan Magne
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Science, 2002
Two pieces of engraved red ochre from Blombos Cave, South Africa, dating to 77,000 years ago and displaying “motifs” evidencing the existence of “arbitrary conventions unrelated to reality-based cognition” are reported by Henshilwood et al. (“Emergence of modern human behavior: Middle Stone Age engravings from South Africa,” Reports, 15 Feb., p. [1278][
Jill Bullington, Steven R. Leigh
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Two pieces of engraved red ochre from Blombos Cave, South Africa, dating to 77,000 years ago and displaying “motifs” evidencing the existence of “arbitrary conventions unrelated to reality-based cognition” are reported by Henshilwood et al. (“Emergence of modern human behavior: Middle Stone Age engravings from South Africa,” Reports, 15 Feb., p. [1278][
Jill Bullington, Steven R. Leigh
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Expanding the horizons of Palaeolithic rock art: the site of Romualdova Pećina
Antiquity, 2019Rock art is key for understanding European Palaeolithic societies. Long thought to have been restricted to South-west Europe, recent discoveries on the Balkan Peninsula have expanded significantly the geographic distribution of Upper Palaeolithic ...
A. Ruiz-Redondo +6 more
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Australian Archaeology, 1999
This paper examines a range of features commonly found at rock art sites, that have conventionally been considered components of rock art, but which (as briefly outlined elsewhere [Rosenfeld 1993 :76-7, l997:29 l]) should be considered as a distinct cultural category.
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This paper examines a range of features commonly found at rock art sites, that have conventionally been considered components of rock art, but which (as briefly outlined elsewhere [Rosenfeld 1993 :76-7, l997:29 l]) should be considered as a distinct cultural category.
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Journal of Archaeological Science, 2022
A. Jalandoni, Yishuo Zhang, Nayyar Zaidi
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A. Jalandoni, Yishuo Zhang, Nayyar Zaidi
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2017
This chapter examines the how and why of rock art recording by focussing on the tools and recording strategies available to researchers as well as their strengths and weaknesses, with particular emphasis on the role of the digital revolution. The discussion overviews factors considered when recording rock art, along with some of the reasons that rock ...
Liam M. Brady +2 more
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This chapter examines the how and why of rock art recording by focussing on the tools and recording strategies available to researchers as well as their strengths and weaknesses, with particular emphasis on the role of the digital revolution. The discussion overviews factors considered when recording rock art, along with some of the reasons that rock ...
Liam M. Brady +2 more
openaire +1 more source