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2020
Roman Ingarden (1893–1970) należy do najbardziej znanych na świecie polskich filozofów. Był uczniem Husserla i od niego przejął metodę fenomenologiczną, którą konsekwentnie stosował w rozważaniach ontologicznych i estetycznych. Często pisał równolegle w języku polskim i niemieckim.
Potocka, Maria Anna +2 more
exaly +4 more sources
Roman Ingarden (1893–1970) należy do najbardziej znanych na świecie polskich filozofów. Był uczniem Husserla i od niego przejął metodę fenomenologiczną, którą konsekwentnie stosował w rozważaniach ontologicznych i estetycznych. Często pisał równolegle w języku polskim i niemieckim.
Potocka, Maria Anna +2 more
exaly +4 more sources
Philosophy Compass, 2012
Abstract While Roman Ingarden remains best known among English‐speaking philosophers and literary theorists for his work in aesthetics, and primarily for his study of the literary work of art, his studies in aesthetics and art belong in fact to the comprehensive program of phenomenological research in ontology and metaphysics that ...
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Abstract While Roman Ingarden remains best known among English‐speaking philosophers and literary theorists for his work in aesthetics, and primarily for his study of the literary work of art, his studies in aesthetics and art belong in fact to the comprehensive program of phenomenological research in ontology and metaphysics that ...
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Studia Phaenomenologica, 2018
Roman Ingarden, one of Husserl's most gifted students, devoted several thousand pages to the development of an ontological, epistemological, aesthetical and even anthropological framework that would allow him to firmly reject the so-called “idealistic turn” of his master Husserl.
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Roman Ingarden, one of Husserl's most gifted students, devoted several thousand pages to the development of an ontological, epistemological, aesthetical and even anthropological framework that would allow him to firmly reject the so-called “idealistic turn” of his master Husserl.
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Roman Ingarden: “Essentiale Fragen”
Journal of the British Society for Phenomenology, 1973openaire +3 more sources
Revue Philosophique de Louvain, 1970
Van Breda Herman Leo. In memoriam Roman Ingarden. In: Revue Philosophique de Louvain. Troisième série, tome 68, n°99, 1970. pp. 423-426.
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Van Breda Herman Leo. In memoriam Roman Ingarden. In: Revue Philosophique de Louvain. Troisième série, tome 68, n°99, 1970. pp. 423-426.
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2009
The foundations of Ingarden’s aesthetics were formed in the context of his polemic with edmund husserl’s transcendental idealism (Ingarden 1929). The critical function and productive employment of the phenomenological method determines the autonomy and theoretical relevance of his aesthetics.
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The foundations of Ingarden’s aesthetics were formed in the context of his polemic with edmund husserl’s transcendental idealism (Ingarden 1929). The critical function and productive employment of the phenomenological method determines the autonomy and theoretical relevance of his aesthetics.
openaire +1 more source