Results 211 to 220 of about 3,126 (259)
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Journal of Roman Studies, 1928
A series of photographs, not retouched, of the details of dated monuments of the Roman Empire. Not an excessive demand for a student of Roman sculpture to make : the kind of apparatus—a good thesaurus—which a student of language would possess in his earliest studies at a university.
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A series of photographs, not retouched, of the details of dated monuments of the Roman Empire. Not an excessive demand for a student of Roman sculpture to make : the kind of apparatus—a good thesaurus—which a student of language would possess in his earliest studies at a university.
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2015
Eugénie Strong (née Sellers, 1860–1943) studied classics at Girton College, Cambridge, and then classical archaeology in London. Her translations of Schuchardt's account of Schliemann's excavations at Troy, and of Fürtwangler's Masterpieces of Greek Sculpture, are also reissued in this series.
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Eugénie Strong (née Sellers, 1860–1943) studied classics at Girton College, Cambridge, and then classical archaeology in London. Her translations of Schuchardt's account of Schliemann's excavations at Troy, and of Fürtwangler's Masterpieces of Greek Sculpture, are also reissued in this series.
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Bulletin de la Classe des Beaux-Arts, 1965
De Ligne Jean P. Petites sculptures romanes. In: Bulletin de la Classe des Beaux-Arts, tome 47, 1965. pp. 151-158.
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De Ligne Jean P. Petites sculptures romanes. In: Bulletin de la Classe des Beaux-Arts, tome 47, 1965. pp. 151-158.
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Provenance and Authenticity of Roman Sculptures by Petrographic Techniques
Journal of Forensic Sciences, 1995Abstract Forensic petrographic methods—such as microscopy, X-ray diffraction and thin section examination—applied to materials of archaeological interest—provided reliable answers to questions related to their provenance. It could be demonstrated that the patina on a Roman marble statue had been faked and that the genetic history of ...
LAZZARINI, LORENZO, G. LOMBARDI
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Gallo-Roman Religious Sculpture
Greece and Rome, 1934Between Celtic and Graeco-Roman art there existed an irreconcilable antagonism. Celtic art, the art of pre-Roman Gaul, was essentially decorative and abstract, loving geometric motifs and the stylization of living forms for purposes of ornamentation; whereas Graeco-Roman art favoured naturalism and anthropomorphism.
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polychromy, sculptural, Greek and Roman
2018The term “polychromy” has been in use since the early 19th century to denote the presence of any element of colour in Greek and Roman sculpture. The evidence for such polychromy is literary, epigraphical, archaeological, and archeometric; research on the subject therefore requires collaboration between the humanities, conservation science, and natural ...
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La sculpture romane saintongeaise
Revue historique de Bordeaux et du département de la Gironde, 1911Brutails Jean-Auguste. La sculpture romane saintongeaise. In: Revue historique de Bordeaux et du département de la Gironde, 4e année n°2, 1911. pp. 128-131.
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Hellenistic and Roman Ideal Sculpture
2008In this book, Rachel Kousser draws on contemporary reception theory to present an approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans' preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars.
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