Results 51 to 60 of about 26,280 (210)
On the semantics of rhythm: Formal differences between the characters of Oresteia in tragedy
The paper analyses the formal features of the characters of Oresteia in Greek tragedy. The protagonists and the minor characters are compared, for which the rhythmical liveliness and variability of the personages’ utterances, the length and number of ...
Maria-Kristiina Lotman
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The aim of this paper is to present the relationship between literature, religion and existential knowledge in the memorial work of François-René de Chateaubriand. The first main problem is the transmission of universal values represented by Christianity.
Aleksandra Kamińska
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Rethinking the History of the Literary Symposium [PDF]
published or submitted for ...
Greek Seminar 420 Spring 1992 UIUC +1 more
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Bibliography for Gender and Romance in Chaucer's Canterbury ...
Crane, Susan
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The use of prepositions is one of the most difficult grammar topics for Spanish learners. The high frequency prepositions ‘a’ (‘to, at, on’), ‘de’ (‘from, of’) and ‘en’ (‘in, on, into’) are often confused or omitted, especially in motion verb ...
Eleni Kanli
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The creative processes in the cities: the case of Turkish literature
Utilizing a four-stage model of the creative process, this article explores the creative process of experiencing and representing the city in a selection of modern Turkish literature and illuminates how the creative process aligns with and informs ...
Leonard Stone
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Se reseñó: Romance Philology, vol. I, 1947-1948.
Peter Boyd-Bowman
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Springs as a Civilizing Mechanism in Daphnis and Chloe [PDF]
: In Longus’ Daphnis and Chloe, springs are a central motif of the Prologue and the novel as a whole. This motif counters male domination, since it is associated with Chloe, while the flowers watered by springs in this novel are identified with Daphnis ...
Janelle Peters
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The evolution of Old and Middle English texts: linguistic form and practices of literacy [PDF]
The late, great paleographer Malcolm Parkes used to opine that 'the greatest mistake a paleographer makes is to forget the nature of the text being copied'. The axiom is a powerful one that has relevance not simply for the sub-discipline of paleography
Smith, Jeremy
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