Results 31 to 40 of about 56,481 (235)

THE AESTHETICS OF URBAN METABOLISM: Landscape, Design and the Politics of In/Visibility

open access: yesInternational Journal of Urban and Regional Research, EarlyView.
Abstract In this article, we chart the evolving aesthetic contours of urban metabolism across London, focusing on the River Lea and Thamesmead to the north and south of the River Thames, respectively. We begin in the nineteenth century, when these two sites formed critical nodes within a new sewerage system that relegated the city’s circulatory flows ...
Ben Platt, Zuhri James
wiley   +1 more source

In Defiance of a Stylistic Stereotype: British Crematoria, Architecture, Design and Landscape [PDF]

open access: yes, 2006
This paper presented a new critical reading of the crematorium, rendered ‘invisible’ by the taboo surrounding death and provided the first opportunity to disseminate this research to an international audience.
Grainger, Hilary J.
core  

The Incarnational Aesthetic of David Brown☆

open access: yesInternational Journal of Systematic Theology, EarlyView.
Abstract The notion of incarnation has historically been a prominent concept for the acceptance of images and the interpretation of art within Christianity. A contemporary proponent of this line of reasoning about the theological potential of art is David Brown, who builds his theology of culture on the doctrine of incarnation. This article presents an
Filip Taufer
wiley   +1 more source

Entheogens in Christian Art: Wasson, Allegro and the Psychedelic Gospels [PDF]

open access: yes, 2019
In light of new historical evidence regarding ethnomycologist R. Gordon Wasson’s correspondence with art historian Erwin Panofsky, this article provides an in-depth analysis of the presence of entheogenic mushroom images in Christian art within the ...
Brown, Jerry, Brown, Julie M.
core  

LE DISCOURS POLITIQUE DANS LE ROLAND BARTHES PAR ROLAND BARTHES : DE LA PRÉFIGURATION FRAGMENTAIRE AU ROMANESQUE [PDF]

open access: yesStudii si Cercetari Filologice: Seria Limbi Romanice, 2017
La recherche d’une « nouvelle » identité littéraire est au cœur de l’œuvre de Barthes. Il se transforme ainsi à la fin de sa vie en théoricien du roman écrivant la Chambre claire, La Préparation du roman et le Roland Barthes par Roland Barthes. Dans cet
Mohammad Reza FALLAH NEJAD
doaj  

Aportaciones al estudio de la gestualidad en la iconografía románica hispana

open access: yesMedievalista, 2010
The aim of this paper is to set a series of general aspects related to the graphic representations of gestures in the Romanesque iconography of the Iberian Peninsula.
Alicia Miguélez Cavero
doaj   +1 more source

Marécages, une pollution par essence? Conditions d'une écopoétique des marais et autres zones humides au XXe siècle

open access: yesOrbis Litterarum, EarlyView.
Abstract To expose the pollution of marshes and swamps, whether by hydrocarbons or other contaminants, the French or Francophone author of the twentieth century must first confront a literary tradition that equates stagnant water with a volatile poison and, more broadly, wetlands with toxic environments. In his article “Wetland Gloom and Wetland Glory,”
François Sagot
wiley   +1 more source

Interdisciplinary research project on the Abbey of S. Croce at Sassovivo in Foligno, Italy [PDF]

open access: yes, 2017
The research project on the Abbey of S. Croce at Sassovivo in Foligno (Italy) started in 2012, based on the studies of Giovanni Carbonara and Lia Barelli from Sapienza University of Rome.
Hajdu, Tamás   +3 more
core  

The sculpture of the church of the holy virgin of the Studenica Monastery. Origin and models [PDF]

open access: yesZograf, 2019
The paper deals with the architectural sculpture of the twelfth century Church of the Holy Virgin at the Studenica Monastery. Its parallels with Italian Romanesque sculpture have long been identified in academic literature, and attention has ...
Babić Valentina
doaj   +1 more source

Obesity and the Politics of Taddeo di Bartolo's Inferno

open access: yesRenaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

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