Results 51 to 60 of about 1,374 (191)

Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata

Music Analysis, EarlyView.
ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
wiley   +1 more source

Romanticism against Romanticism: the discursive paradox in the poetry of Timyr Kibirov

RUDN Journal of Studies in Literature and Journalism, 2014
The article describes the features of romantic poetry by famous Russian postmodernist poet Timyr Kibirov. The author notes that the poet speaks against romanticism, but at the same time the author argues that Timyr Kibirov - a romantic poet.
K N Ankudinov
doaj  

Juan Ramón Jiménez and Rubén Darío: A tour of blue art

Philologia Hispalensis, 2015
This paper pretends to show some points of the color blue’s trajectory from the modernist era with the influence of Darío to Diario de un poeta reciencasado (1916) through the color blue’s presence in modernist poetry as a representation of different ...
Virginie Giuliana
doaj   +1 more source

Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form

Music Analysis, EarlyView.
ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
wiley   +1 more source

May Sinclair’s Romantic Corpus

Sillages Critiques
This paper explores May Sinclair’s Modernist appropriation of Romantic tropes and experimentations. As a literary critic, Sinclair (1863-1946) wrote influential papers on Modernist poetry, but barely mentions Romantic poets in her many essays.
Leslie de Bont
doaj   +1 more source

Aesthetic independence of folk poetry and genre differentiation of folklore in pre-romanticism and romanticism [PDF]

Slovenska Literatura, 1965
In the study "The Aesthetic Development of Folk Poetry into an Independent Literary Form and the Stylistic Differentiation of Folklore," the author attempts to resolve the problem of evaluating folk poetry as an independent artistic form of expression ...
Mária Dzubáková
doaj  

Bret/BRAT

Critical Quarterly, EarlyView.
Nicholas Smart
wiley   +1 more source

Blankness in post‐post‐postmodern poetry

Orbis Litterarum, EarlyView.
Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley   +1 more source

Somerset Maugham's Failings

Critical Quarterly, EarlyView.
Allan Hepburn
wiley   +1 more source

Utopia Remembers: The Soviet Past in the Imagined Communist Future

The Russian Review, EarlyView.
Abstract After a twenty‐five‐year hiatus, the reappearance of utopian literature in 1957 prompted Soviet literary watchdogs to corral the subgenre into an ideologically‐acceptable mold. A key requirement was for future generations to be depicted as reverently commemorating the past.
Antony Kalashnikov
wiley   +1 more source