Results 31 to 40 of about 483,758 (118)
Hadleigh, Parish Church of St. Mary, partial stair from rood screen in pier before chancel
, 2014 Partial stair from rood screen support in pier before chancel.https://digital.kenyon.edu/peregphotos/2638/thumbnail ...
Blick, Sarah
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, 2017 Cawston, Church of St. Helen, detail of painted, Rood Screen, St Matthew with spectacles, 15th century.https://digital.kenyon.edu/peregphotos/3490/thumbnail ...
Blick, Sarah
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Getting down to business: the producer offset five years on [PDF]
, 2012 The Producer Offset was introduced in July 2007 as part of the Australian Screen Production Incentive (ASPI), the Australian Government\u27s package of measures to boost support for the Australian film and television industry. One of the key aims
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Postpartum Hepatitis C Linkage to Care Program in a Co-located Substance Use Disorders Treatment Model. [PDF]
Matern Child Health J, 2023 Cheedalla A +5 more
europepmc +1 more source
, 2011 Acquired in digital format.; Part of the collection: Portraits taken during interviews for the Forgotten Australians and Former Child Migrants oral history project.; Title devised by cataloguer.; Mode of access: Online.; Ivan Durrant interviewed by Sarah
Rood, Sarah, 1976-
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, 2011 Acquired in digital format; access copy available online.; Part of the collection: Portraits taken during interviews for the Forgotten Australians and Former Child Migrants oral history project.; Title devised by cataloguer.; Mode of access: online ...
Rood, Sarah, 1976-
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, 2017 Catfield, All Saints Church, Norfolk, England, interior nave, looking east from parvise steps, view of rood screen, 15th century.https://digital.kenyon.edu/peregphotos/3477/thumbnail ...
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Paul Rood Hall Dedication [PDF]
, 1998 Biola University dedicated a campus hall to Dr. Paul Rood (1889-1956), the university\u27s third president, in honor of his incredible life of Christian service. Many attended the event including several of Rood\u27s children.
University, Biola
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Mourning television: the other screen
, 2010 This essay was originally presented as a closing plenary paper at the 2009 Screen conference, a conference that both celebrated the journal’s fiftieth anniversary and invited critical reflection on ‘Screen Theorizing Today’.
Caughie, J.M., J. Caughie
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