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Rossellini beyond Repair

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This essay analyzes Roberto Rossellini’s Europa ’51 (1952), a film Gilles Deleuze made famous for its way of “seeing convicts” in a range of social institutions, including the factory, the bourgeois family, and the psychiatric hospital. Recent accounts of Rossellini’s career have tended to emphasize his role in manufacturing narratives of postwar ...
Ramsey McGlazer
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Re-viewing Rossellini's Paisà

The Journal of Western History, 2022
Inha Park
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Sex and Consequences by Isabella Rossellini (review)

Theatre Journal, 2021
Rossellini, who holds a master’s degree in animal behavior and conservation from Hunter College, has long been focused on communicating scientific knowledge to audiences via film and live solo performances.
Shelby Brewster
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Rossellini’s Open City:

Italian Film in the Light of Neorealism, 2020
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