Results 171 to 180 of about 8,078 (219)
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The films of Roberto Rossellini
Choice Reviews Online, 1993The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948–52), Voyage in Italy (1953), General della Rovere (1959) and
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Rossellini's Pictorial Histories
Film Quarterly, 2011A survey of Roberto Rossellini's filmmaking career with particular emphasis on the continuities and differences between the World War II films of his early career and the later dramatization of an older scientific, religious, and political history.
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Rossellini and Cinematic Realism
Cinema Journal, 1985When Roberto Rossellini's early films Open City and Paisan first appeared in 1945 and 1946, respectively, critics, whatever else they liked or disliked, were nearly unanimous in praising their intense realism. Writing in The Nation, James Agee reported being so overwhelmed by Open City that he was incapable of reviewing it: "I will probably be unable ...
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differences
This essay analyzes Roberto Rossellini’s Europa ’51 (1952), a film Gilles Deleuze made famous for its way of “seeing convicts” in a range of social institutions, including the factory, the bourgeois family, and the psychiatric hospital. Recent accounts of Rossellini’s career have tended to emphasize his role in manufacturing narratives of postwar ...
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This essay analyzes Roberto Rossellini’s Europa ’51 (1952), a film Gilles Deleuze made famous for its way of “seeing convicts” in a range of social institutions, including the factory, the bourgeois family, and the psychiatric hospital. Recent accounts of Rossellini’s career have tended to emphasize his role in manufacturing narratives of postwar ...
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