Results 31 to 40 of about 1,628 (171)
Encyclopedia, 2021 Robert of Anjou King of Sicily (1309–1343). Robert of Anjou was the third king of the Angevin dynasty on the throne of Sicily. He ruled from 1309 to 1343, but, in these years, Sicily was under the domain of the Aragonese dynasty and, hence, his authority
Mirko Vagnoni
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Early royal iconography: A rock art panel from el-Hosh (Upper Egypt) [PDF]
, 2022 A rock art panel from the site of el-Hosh featuring two boats along with human depictions, including one with royal regalia, alongside a presumed captor with a Nubian captive, adds a further important example of early royal iconography in Egyptian rock ...
Vanhulle, Dorian +5 more
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The iconography of co-rule at Deir el-Bahari: Hatshepsut andTuthmosis III in the Statue Room of the Main Sanctuary of Amun [PDF]
Polish Archaeology in the Mediterranean, 2016 Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the sidewalls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deirel-Bahari.
Marta Sankiewicz
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Encyclopedia, 2021 Joanna I of Anjou (1325–1382), countess of Provence and the fourth sovereign of the Angevin dynasty in south Italy (since 1343), became the heir to the throne of the Kingdom of Sicily, succeeding her grandfather King Robert “the Wise” (1277–1343).
Paola Vitolo
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Royal Studies Journal, 2023 This article argues that the Duchess of Angoulême, born Marie-Thérèse Charlotte de France, daughter of King Louis XVI and Queen Marie-Antoinette, took on the role of substitute queen during the reign of her uncle, King Louis XVIII.
Matthieu Mensch
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Encyclopedia, 2021 James I, King of Aragon (1213–1276). He was the third king of the Crown of Aragon, which had come into existence through the union between Queen Petronila of Aragon (1157–1164) and the Count of Barcelona Ramon Berenguer IV (1137–1162). James I represents
Marta Serrano-Coll
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Ticontre: Teoria Testo Traduzione, 2016 L’articolo ha come oggetto le descrizioni animali e teratologiche del Devisement dou monde. In particolare, la fauna poliana con le sue estremizzazioni mostruose e meravigliose viene indagata sul doppio filo del testo franco-italiano del Devisement ...
Alessio Collura
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Anne Boleyn’s legacy to Elizabeth I: Neoclassicism and the iconography of Protestant Queenship [PDF]
, 2017 Elizabeth rarely spoke of her mother, and her feelings about her remain enigmatic. However there are striking resemblances between the 1533 coronation pageants for Anne Boleyn and Elizabethan royal iconography, especially in shared neoclassical themes of
Helen Hackett, Hackett, Helen A
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The Origin of the Discovered Urartian Bulla in Ziwiye
Studies in Ancient Art and Civilization, 2023 There are several discovered Urartian artifacts and among them are the bullae. They are sometimes inscribed and sealed with cylinder and/or stamp seals. The impressions sometimes contain an inscription along with a royal, mythical or ritual scene. Royal
Maryam Dara
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Styles of sovereignty: the relevance of Louis XIV to English royal iconography, 1689-1714 [PDF]
, 2016 This thesis explores the influence of French royal image-making on English monarchies at the turn of the eighteenth century. It investigates the relevance of Louis XIV (r. 1643-1715) to English royal iconography during the reigns of William III (r.
Sarah Wilewski, Wilewski, Sarah
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