Results 81 to 90 of about 1,628 (171)

Phylogeny of subtribe Gonolobinae (Apocynaceae‐Asclepiadoideae) based on molecular and morphological data with a revised generic classification

open access: yesTAXON, Volume 75, Issue 2, April 2026.
Abstract The presently most densely sampled molecular phylogeny of the widespread New World subtribe Gonolobinae is presented, including about 35% of the ca. 520 species. Sampling focused on an even representation of the three main areas of total Gonolobinae distribution, South America, Central/North America, and the West Indian Islands, and the ...
Sigrid Liede‐Schumann   +4 more
wiley   +1 more source

Archaism and kingship: A late royal statue and its early dynastic model [PDF]

open access: yes, 2001
Publication of British Museum EA 941, a Late Period or early Ptolemaic royal statue in travertine whose model is the Early Dynastic statue of Djoser (Cairo JE 49158) from the serdab on the north side of his Step Pyramid, or another statue of the same ...
Christina Riggs   +3 more
core   +1 more source

The Material and Textual Value of Manuscript and Print Binding Waste☆

open access: yesRenaissance Studies, Volume 40, Issue 2, Page 166-189, April 2026.
Abstract In 2019, the Foundation of Christ's Hospital at Lincoln made a bequest of early printed books to the Bodleian Library. The collection is rich in sixteenth‐century tooled bindings, many of which preserve manuscript and printed waste in the form of pastedowns, endleaves and endleaf guards.
Tamara Atkin
wiley   +1 more source

Colonial Bias in AI Training Data: Prompting Sora to Generate Images of Aotearoa New Zealand's Historical Past

open access: yesKōtuitui: New Zealand Journal of Social Sciences Online, Volume 21, Issue 1, March 2026.
This paper examines how generative artificial intelligence (AI) reproduces colonial visual tropes when tasked with representing Aotearoa New Zealand's historical past. Using OpenAI's Sora as a case study, the analysis investigates AI‐generated images prompted to depict (1) precolonial landscapes, (2) first contact between Māori and Europeans, (3 ...
Olli Hellmann
wiley   +1 more source

Stifterbilleder og deres ikonografi i danske 1100-tals fresker. Kong Niels og Dronning Margrete Fredkulla malet i Vä Kirke (1121–22) og elleve andre kirker med stifterfigurer

open access: yesICO Iconographisk Post, 2016
Title in English: Donor pictures and their iconography in Danish frescos from the 12th century. – The article deals principally with the royal donor images, their interpretation and context, in the Romanesque church of Vä in southern Sweden (Scania).
Ulla Haastrup
doaj  

A Reevaluation of the Royal Son Ahmose-Sapair: Problems, Perspectives and Interpretations of the First Royal Cult in the New Kingdom [PDF]

open access: yes, 2021
The royal son Ahmose-Sapair has always been surrounded by a halo of mystery or uncertainty due to the decontextualised evidence and the resemblance of name with that of the founder of the 18th dynasty. His cult is well accepted and recognised by scholars,
Teixidor-Abelenda, Jordi
core  

Spektakl suwerenności: uroczystości koronacyjne królowej Elżbiety I

open access: yesPamiętnik Teatralny, 2018
The coronation ceremonies of Queen Elizabeth I in 1559, as all ceremonies regarding transfer of royal power, are an interesting example of what Victor Turner called “social drama.” Elizabeth was highly aware of the inextricable bond between statecraft ...
Emilia Olechnowicz
doaj   +1 more source

Chartres Cathedral, detail of the capital frieze, Royal Portal, west facade, south portal, south side [PDF]

open access: yes, 2014
Chartres Cathedral, detail of the capital frieze, Royal Portal, west facade, south portal, south side, c. 1145, Early Gothic sculpture, France. Iconography (from the left) Christ washing the feet of the apostles, Christ on the road to Emmaus, Supper at ...
Smither, William J.
core  

Cuando el poder cabalgaba

open access: yesMemoria y Civilización, 2009
Between 1800 and 1801 David painted Napoleon Crossing the Alps (also known as Napoleon at the Saint Bernard Pass). The painting depicts General Bonaparte riding a horse, which recalls the exploits of Hannibal and Charlemagne. This iconography is not new:
Víctor Mínguez
doaj  

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