Results 1 to 10 of about 2,813 (118)
AUTO‐MATICITY: RUSCHA AND PERFORMATIVE PHOTOGRAPHY [PDF]
Art History, 2009 Ed Ruscha's ground‐breaking 1963 book, Twentysix Gasoline Stations, consists of a series of photographs of gas stations along Route 66. Ruscha explained in an interview that he liked the word ‘gasoline’ and the random specificity of number 26. This paper argues that the title, formulated in advance, provided the nub of an instruction.
Iversen, Margaret
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Curator: The Museum Journal, Volume 65, Issue 3, Page 553-567, July 2022., 2022 Abstract This paper contributes to the deliberations around the future of modernist architecture in the Modern Heritage of Africa (MoHoA) initiative. As creative practitioners and academics, our work has focused on considerations of architecture and urbanism, variously designing, theorizing, and photographing cities and structures.
Noëleen Murray, Svea Josephy
wiley +1 more source
Interfaces, 2020 Photography was for Melvin Charney a tool for deepening his approach to the urban environment. This fact is already well documented. However, the origins of his photographic experiences as a tool for learning and thinking architecture remain unknown. The
Élène Levasseur
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Exploring Appropriation as a Creative Practice
Arts, 2019 During the 1960s and 1970s, Ed Ruscha produced a series of 16 small, self-published books that became a catalyst for how artists could approach the book form.
Tom Sowden
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Every House on Langland Road – the production of archival, architectural and artistic spaces [PDF]
, 2017 This article describes an Arts Council England project, undertaken by the author and a photographer, to examine spatial and temporal relations between an art project, its subject and its audience. The project explored and documented the architecture of a
Umney, Darren
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Fotocinema: Revista Científica de Cine y Fotografía, 2019 El presente artículo analiza la incorporación de la fotografía como miembro de pleno derecho en el arte contemporáneo, a partir de la perspectiva que la sitúa en la vertiente documental y extremadamente banalizada de los territorios del arte de concepto.
Víctor Murillo Ligorred
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Automat, automatic, automatism : Rosalind Krauss and Stanley Cavell on photography and the photographically dependent arts [PDF]
, 2012 How might philosophers and art historians make the best use of one another’s research? That, in nuce, is what this special issue considers with respect to questions concerning the nature of photography as an artistic medium; and that is what my essay ...
Costello, Diarmuid
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Introduction : photography between art history and philosophy [PDF]
, 2012 The essays collected in this special issue of Critical Inquiry are devoted to reflection on the shifts in photographically based art practice, exhibition, and reception in recent years and to the changes brought about by these shifts in our ...
Costello, Diarmuid, Iversen, Margaret
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Ed Ruscha and the Great American West
Panorama, 2018 Karin Breuer, editor Berkeley: University of California Press in association with the Fine Arts Museums of San Francisco, 2016. 244 pp. Hardcover $50.00 (978-0-520-290693) Reviewed by: Amanda A.
Amanda A. Douberley
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Nouvelles de l'estampe, 2010 La place d’Edward Ruscha en France se revele paradoxale. Icone internationale qu’on associe volontiers a Los Angeles, il reste une figure fuyante dont l’etiquette – terme a prendre egalement dans le sens de celui d’un petit ecriteau portant une denomination – oscille entre pop art, art conceptuel, voire surrealisme.
openaire +2 more sources