Results 11 to 20 of about 2,813 (118)

About identity in the new figuration. The palm tree and the swimming pool: two icons from the Spanish democratic transition [PDF]

open access: yes, 2016
La Nueva Figuración es un movimiento que se desarrolla en Madrid durante los años 70. Fue una de las corrientes artísticas más importantes de la década, que acabó determinando el transcurrir de la pintura española durante las generaciones siguientes ...
Sáez-Pradas, Fernando
core   +2 more sources

Abstraction’s ecologies : post-industrialization, waste and the commodity form in Prunella Clough’s paintings of the 1980s and 1990s [PDF]

open access: yes, 2015
This article’s aims are twofold: firstly, it argues that Prunella Clough’s engagement with consumer items in her paintings of the 1980s and 1990s constitute a sustained engagement with the fluctuating nature of the commodity form, moving beyond the ...
Spencer, Catherine Elizabeth
core   +2 more sources

Discuss the role of the book as a content carrier and as physical object. How do these roles complement and/or conflict with each other in terms of the use, care and the definition of the book? [PDF]

open access: yes, 2013
It could be argued that the importance of the book as physical object is generally seen as secondary to its role as a content carrier. Thomas A. Vogler states that there is an 'established sense of the book as a physical object that exists only, or ...
Siobhan Britton
core   +1 more source

From Corporate Artification to Artification in the Third Sector

open access: yesJournal of Philanthropy and Marketing, Volume 29, Issue 4, November 2024.
ABSTRACT Artification refers to the process by which objects, practices, or entities not traditionally considered art are transformed into socially accepted art forms. A common example is graffiti, which was once regarded as vandalism but has since evolved into a recognized and celebrated form of art, but organizations and brands can also engage in ...
Alex Turrini   +2 more
wiley   +1 more source

“An African View”: The photography of Denise Scott Brown

open access: yesCurator: The Museum Journal, Volume 67, Issue 1, Page 119-131, January 2024.
Abstract This article develops on the plenary paper we presented for the second Modern Heritage in the Anthropocene Symposium (MoHoA), held at the Bartlett School of Architecture(UCL) October 26–28, 2022. At the first MOHoA Symposium in Cape Town in 2021 titled Learning from Steinkopf, we invoked Learning from Las Vegas (by Robert Venturi, Denise Scott
Noëleen Murray, Svea Josephy
wiley   +1 more source

The Visual Art Critic: A Survey of Art Critics at General Interest News Publications in America [PDF]

open access: yes, 2002
Examines whether art critics provide sufficient exposure for artists and art institutions, given the recent dynamic growth in the visual arts over the past two ...
Andras Szanto
core  

all the f words we used to know [PDF]

open access: yes, 2017
Photos of handwritten list of the 2,000+ F words listed in the 1996 version of Webster’s Encyclopedic Unabridged Dictionary of the English Language (Deluxe Edition), published by Gramercy Books of Random House Press in Avenal, New Jersey.
Rhoades, Mindi J
core   +2 more sources

Distruzione/costruzione/decostruzione. Il flusso continuo dell'architettura contemporanea [PDF]

open access: yes, 2014
Lo spazio dell’architettura contemporanea, nella sua duplice scala costruttiva e urbanistica, è caratterizzato dalla distruzione. Una condizione che è al tempo stesso reale (le discontinuità, i vuoti, le demolizioni) e simbolica.
SBACCHI, Michele
core   +1 more source

Max White [PDF]

open access: yes, 2011
This publication grew out of the exhibition "components of a special collection: a collaboration with the University of Auckland Fine Arts Library" at projectspace B431 from March 31 to April 09, 2011.
White, M
core  

Renouncing the Single Image: Photography and the Realism of Abstraction [PDF]

open access: yes, 2016
This essay addresses the issue of the relationship between abstraction and realism that it argues is at stake in the rejection of any primacy accorded to the single image, in favour of a sequencing of photographs according to certain, often novelistic ...
Adorno Theodor   +34 more
core   +1 more source

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