Results 131 to 140 of about 504 (178)
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The Russian Avant-Garde and the Russian Tradition

Art Journal, 1972
The period in Russian art history directly following the Bolshevik Revolution and lasting until the advent of Social Realism in the middle 1920s has rightly been heralded as truly progressive and at the forefront of the European avant-garde. A number of exhibitions have focused in recent years on such prophetic figures as Malevich, Tatlin, Lissitzky ...
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The Russian Avant-Garde, Maiakovskii, and the Maiakovskii Museum

Journeys, 2007
My visit to Moscow's Maiakovskii Museum serves as starting point for an exploration, informed by Peter Bürger's Theory of the Avant-Garde, of the influence of the Russian avant-garde and poet Vladimir Maiakovskii's role within this movement. It also queries the essentialism and functionality of the museum dedicated to him, as well as the personal ...
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Russian Avant-Garde and the Environs [PDF]

open access: possible, 2016
info:eu-repo/semantics ...
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An Ecology of the Russian Avant-Garde Picturebook

2018
An Ecology of the Russian Avant-Garde Picturebook takes a new approach to interpreting 1920s and 1930s picturebooks by prominent Russian writers, artists, and intellectuals by examining them within the ecological environment that, first, made them possible and, then, led to their demise. It argues that naturalistic models of the complex interactions of
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Mathematics in Russian Avant-Garde Literature

2020
This chapter discusses the importance of mathematics in the historical Russian avant-garde movement using examples taken from different authors. I will limit myself to three writers: Velimir Khlebnikov (1885–1922), Evgenij Zamyatin (1884–1937), and Daniil Kharms (1905–1942).
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Mikhail Butkevich: the bridge to the contemporary Russian Avant-Garde

Stanislavski Studies, 2016
TOWARDS A THEATRE OF GAMESBy Mikhail Butkevich Our game is called “play analysis.” On the game field of this book, there are two players and game fans.
David Chambers, Krivosheyev Maxim
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The Russian Avant-garde: Siberia and the East

2015
Review of The Russian Avant-garde: Siberia and the East, Reviewed March 2015 by Elena Cordova, Project Archivist, Museum Archives, The Museum of Modern Art, Elena_Cordova@moma.org.
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Editor's Statement: The Russian Avant-Garde

Art Journal, 1981
The sociopolitical gap that has divided Soviet Russia and the West during most of this century has inspired much mutual curiosity about artistic—among many other—activities. Owing to greater freedom and flow of information, we in the West have been better able to indulge this curiosity.
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The Russian Avant-Garde

Russian Review, 1978
John E. Bowlt   +3 more
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Russian avant-garde experiments with light

History of Photography, 2000
Abstract The leaders of the photographic avant-garde in Russia were engaged primarily in experiments in photographic form, seeking maximal abstraction and employing a limited number of elements, avoiding pictorialism in the same way that happened earlier with painting, sculpture, and graphics.
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