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An Ecology of the Russian Avant-Garde Picturebook
2018An Ecology of the Russian Avant-Garde Picturebook takes a new approach to interpreting 1920s and 1930s picturebooks by prominent Russian writers, artists, and intellectuals by examining them within the ecological environment that, first, made them possible and, then, led to their demise. It argues that naturalistic models of the complex interactions of
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Mathematics in Russian Avant-Garde Literature
2020This chapter discusses the importance of mathematics in the historical Russian avant-garde movement using examples taken from different authors. I will limit myself to three writers: Velimir Khlebnikov (1885–1922), Evgenij Zamyatin (1884–1937), and Daniil Kharms (1905–1942).
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Editor's Statement: The Russian Avant-Garde
Art Journal, 1981The sociopolitical gap that has divided Soviet Russia and the West during most of this century has inspired much mutual curiosity about artistic—among many other—activities. Owing to greater freedom and flow of information, we in the West have been better able to indulge this curiosity.
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Russian avant-garde experiments with light
History of Photography, 2000Abstract The leaders of the photographic avant-garde in Russia were engaged primarily in experiments in photographic form, seeking maximal abstraction and employing a limited number of elements, avoiding pictorialism in the same way that happened earlier with painting, sculpture, and graphics.
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Theatricality as Estrangement of Art and Life in the Russian Avant-Garde
SubStance, 2002"We, too, will show you life that's real-very! / But life transformed by the theater into a spectacle most extraordinary!" writes Vladimir Mayakovsky in the prologue of his famous Mystery Bouffe. This transformation of life "into a spectacle," both on stage and in reality, is one of the most distinct features of the phenomenon of theatricality.
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Mikhail Larionov and the Russian Avant-Garde
Modernism/modernity, 1995J. Douglas Clayton, Anthony Parton
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Vladimir Tatlin and the Russian Avant-Garde
Leonardo, 1984Anthony Parton, John Milner
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The tradition of experimentation in Russian culture and the Russian Avant-Garde [PDF]
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