Making Futures: Utopias, Projections and Bombs of the Avant-Garde
This article explores how historic avant-garde works can be considered as aesthetic technologies or time machines conditioning an audience to experience the future differently.
Sascha Bru
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"Everything good against everything bad": traditional values in the search for new Russian national idea. [PDF]
Stepanova EA.
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Yuriy Vysokovskikh and Yuriy Trofimov: artists of the second Russian avant-garde in Karelian art
О.А. Бахилина
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Russian avant-garde and color as worldview
Members of the Russian Avant-garde were initially eager to participate in the revolutionary reconstruction of a new socialist paradise. This Utopia was to be painted in bright colours. In their "Decree No. 1 -Makingthe Arts Democratic", Futurists among them such as Mayakovsky declared that the art should abandon the vaults and palaces and that ...
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The dialogue between linguistics and the poetic avant-garde in Russia in the 1920—1930s: experiments with a universal language [PDF]
Olga Sokolova
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The Lifetime History of the First Italian Public Extra-Corporeal Shock Wave Lithotripsy (ESWL) Lithotripter as a Mirror of the Evolution of Endourology over the Last Decade. [PDF]
Malinaric R +9 more
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coryphaeuses of architecture XX
The biography genre still rarely participates in the development of architectural thought. We are publishing the material on contradictory and sophisticated figures of the contradictory and sophisticated century, I. V. Zholtovsky and A. V. Shchusev. K. N.
Konstantin Lidin
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David Burliuk – many-faced and individual
INTRODUCTION. The creative personality of David Burliuk gave grounds for naming a kind of International Avant-garde Artistic Award after him. Consider the incarnations of the creative personality of the “father of Russian futurism” David Burliuk means to
S. E. Biryukov
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On the occasion of the centennial of the Nobel Prize in Physiology or Medicine, 1923: Nicolae C. Paulescu-between scientific creativity and political fanatism. [PDF]
de Leiva-Hidalgo A, de Leiva-Pérez A.
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