Results 151 to 160 of about 745,726 (211)
"Resistance leads to self-destruction": how an (a)political strategy helped Karl von Frisch succeed during the Nazi era. [PDF]
J Comp Physiol A Neuroethol Sens Neural Behav PhysiolZupanc GKH, Wanninger S.
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World Literature Today, 1998
Introduction Strolls with Pushkin A Journey to the River Black Remembering Cathy Nepomnyaschchy and Slava Yastremski Notes Notes on the ...
Philippe D. Radley +2 more
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Introduction Strolls with Pushkin A Journey to the River Black Remembering Cathy Nepomnyaschchy and Slava Yastremski Notes Notes on the ...
Philippe D. Radley +2 more
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Russian Studies in Literature, 1994
The present-day situation forces me to address a letter to the editors in which—and not for the first time by any means—I respond to the question of what exactly is our status, what is the role and significance of the intelligentsia in our society.
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The present-day situation forces me to address a letter to the editors in which—and not for the first time by any means—I respond to the question of what exactly is our status, what is the role and significance of the intelligentsia in our society.
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The Antioch Review, 1945
THE RUSSIAN INTELLIGENTSIA is a specific formation of nineteenthcentury Russia, not to be identified with the "educated and professional classes" of the Western lands, or with the officials, technicians, and managers of present-day Russia. It was extruded out of a fixed society of medieval estates into which it no longer fitted, as an ideological sign ...
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THE RUSSIAN INTELLIGENTSIA is a specific formation of nineteenthcentury Russia, not to be identified with the "educated and professional classes" of the Western lands, or with the officials, technicians, and managers of present-day Russia. It was extruded out of a fixed society of medieval estates into which it no longer fitted, as an ideological sign ...
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A comparison of the German and Russian literary intelligentsia in Arnold Hauser’s Social History of Art [PDF]
Studies in East European Thought, 2019 To date, critical engagement with Arnold Hauser’s sociology of art has been confined to the field of art history. This perspective has ignored Hauser’s interest in literary history, which I argue is essential to his project.
Jim Berryman
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