Results 11 to 20 of about 76 (66)

The Ural Poetic School: Phantom or Reality [PDF]

open access: yes, 2022
The article was submitted on 14.09.2022.В статье проблематизируется употребление описательной конструкции «современная уральская поэзия», обозначающей поэтическое пространство конкретного региона, и рассматривается уральская поэзия в контексте ...
Подлубнова, Ю. С.   +1 more
core   +1 more source

Songwashing: Russian Popular Music, Distraction, and Putin’s Fourth Term

open access: yesThe Russian Review, Volume 82, Issue 4, Page 682-704, October 2023., 2023
Abstract This article investigates how the Russian state apparatus, in its diverse, loose, and undercoordinated points of affiliation, used contemporary popular music to its own advantage during Vladimir Putin’s fourth term and before the full‐scale war in Ukraine.
Marco Biasioli
wiley   +1 more source

Power and the Aerial Sublime in Victor Pelevin

open access: yesThe Russian Review, Volume 82, Issue 4, Page 582-598, October 2023., 2023
Abstract This essay distinguishes flight as a salient trope throughout multiple Pelevin texts: Omon Ra (1992), Chapaev and the Void (1996), Generation P (1999), Empire V (2006), and Love for Three Zuckerbrins (2014). It examines flight through the aesthetics of the sublime—classical, (post)‐Soviet, and postmodern.
Sofya Khagi
wiley   +1 more source

On the double social life of failure

open access: yesJournal of the Royal Anthropological Institute, Volume 29, Issue S1, Page 46-61, April 2023., 2023
Abstract What might it mean to follow failure ‘out into the world’ (Alexander, introduction to this volume) in a way that is attentive both to its contingent and diffuse effects, and to the work involved in making it socially legible? This essay follows a moment of social breakdown, its reverberations in social life, and the forms of diagnosis it ...
Madeleine Reeves
wiley   +1 more source

Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe

open access: yes, 2023
Critical Quarterly, Volume 65, Issue 4, Page 24-39, December 2023.
Daniella Gáti
wiley   +1 more source

“Book of the Poet” as “Book of the Artist”: “Imago” by D. Dmitriev

open access: yes, 2020
In 2010s there is a number of systemic changes in the literary space. Some of them are related to changes in the perception of a poetry book and the way it is published. We can talk about several factors that determine the changes.

core   +1 more source

Национальная и Университетская библиотека Исландии: к 200-летию со дня основания [PDF]

open access: yes, 2019
The National and University Library of Iceland (Landsbókasafn Íslands — Háskólabókasafn) celebrated its 200th anniversary in 2018. The purpose of the review is to acquaint Russian library specialists with the history of this institution and to show its ...
Ekaterina A. Barysheva   +1 more
core   +2 more sources

From a Space out of Time: Russian Poetry and Aesthetic Ideology after the Soviet Union

open access: yes, 2021
This dissertation, “From a Space out of Time: Russian Poetry and Aesthetic Ideology after the Soviet Union,” considers four examples of the first post-Soviet generation of Russian poets (born roughly 1965 – 1975) against the backdrop of the aesthetics ...
Hock, David
core  

Brave New Russian World? The Rise and Prospects of a New Patriotic Culture in Wartime Russia [PDF]

open access: yes
Since the beginning of Russia’s military invasion of Ukraine on February 24, 2022, Russian culture has undergone significant transformations. During the third term of the Putin administration in the 2010s, particularly after the annexation of Crimea in ...
松下, 隆志, MATSUSHITA, Takashi
core   +1 more source

The Ideology of History and the Limits of Cinematic Realism in Andrei Zviagintsev’s Leviathan and Nataliia Meshchaninova’s The Hope Factory

open access: yesThe Russian Review, Volume 85, Issue 3, Page 348-362, July 2026.
Abstract This article brings together theories of history and filmic realism to analyze the representation of the provinces in Nataliia Meshchaninova’s The Hope Factory (Kombinat “Nadezhda,” 2014) and Andrei Zviagintsev’s Leviathan (Leviafan, 2014). It argues that these two films share a typically realist attitude of respect toward the profilmic in ...
Daria Ezerova
wiley   +1 more source

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