Results 131 to 140 of about 2,148 (189)
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Czech Puppet Theatre and Russian Folk Theatre
TDR/The Drama Review, 1999This key historical and theoretical document connecting Czech and Russian puppet and folk theatres is translated into English for the first time. Bogatyrev opened a whole new area of semiotic studies.
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'Freedom of the Theatres': The Abolition of the Russian Imperial Theatre Monopoly
Slavonic and East European Review, 2005This article investigates why the Russian Imperial Theatre monopoly was abolished in 1882. The reform is regarded as an important turning-point in Russian cultural history, but its timing seems puzzling. The monopoly emerged for economic reasons but came to be defended on political grounds. Its abolition was regarded as an act of liberalization, yet it
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2019
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world.
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Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world.
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2016
The "Russian Folk-Theatre" is a study of the various dramatic genres which form a hitherto neglected part of Russia's oral litera¬ ture. It is divided into five main sections with an Introduction and extensive bibliography, It has three main aims, firstly to give a general account of the history and characteristic features of each type of theatre ...
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The "Russian Folk-Theatre" is a study of the various dramatic genres which form a hitherto neglected part of Russia's oral litera¬ ture. It is divided into five main sections with an Introduction and extensive bibliography, It has three main aims, firstly to give a general account of the history and characteristic features of each type of theatre ...
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The Russian Invasion of the American Theatre
2011In 1927, three Americans became honorary members of the Moscow Art Theatre: David Belasco, Morris Gest, and Otto H. Kahn. Belasco received the recognition for his commitment to excellence in the American theatre, whereas, Morris Gest and Otto Kahn earned it for successfully bringing the Moscow Art Theatre to America. This venture marked only one of the
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