Results 191 to 200 of about 148,284 (235)

Early russian theatre and commedia dell'arte

2011
Italian commedia dell'arte in 18th century Russia is a phenomenon which demands careful attention from students of the Russian theatre, particularly since comedy was the most important dramatic development of this century. It is significant that Russian dramaturgy vaulted from infancy to maturity in the short space of a century.
openaire   +1 more source

2. Some Old Photos: Russian Formalism in Russian Avant-garde Theatre

2006
exaly   +2 more sources

Meyerhold and constructivism in the Russian theatre

Quarterly Journal of Speech, 1943
(1943). Meyerhold and constructivism in the Russian theatre. Quarterly Journal of Speech: Vol. 29, No. 2, pp. 182-187.
openaire   +1 more source

Trial as Theatre in the Russian Revolution

Theatre Research International, 1998
In an extraordinary passage ofThe Mind and Face of Bolshevism, the Hungarian journalist and philosopher, René Fueloep-Miller, made this observation in the 1920s on the innate theatricality of the Russian people:If a Russian recounts an incident in company, in his political club, or even in the street, he does not for long confine himself to verbal ...
openaire   +1 more source

Petrushka: The Russian Carnival Puppet Theatre

The Slavic and East European Journal, 1992
Roberta Reeder, Catriona Kelly
  +4 more sources

Theatre and Spectacles Under Russian Empresses

Problems of the theatre
Review of the book by L.M. Starikova Theatrical Life in Russia: A Documentary Chronicle. 1730–1761, which consists of 3 volumes and was published in Moscow (1996–2023). The author draws attention to the (without exaggeration!) act of heroism in theatre studies, accomplished by Lyudmila Starikova in her research, as she published and analysed documents ...
openaire   +1 more source

Historical Dictionary of Russian Theater

2007
Despite constant hindrance from government interference and control, the Russian theater has produced many memorable playwrights, schools of thought, and plays, whose influence can be seen throughout the world. Nikolai Gogol''sThe Inspector, Maksim Gor'kii'sThe Lower Depths, and Anton Chekhov'sThe Cherry Orchardremain staples of repertories in every ...
openaire   +1 more source

'Freedom of the Theatres': The Abolition of the Russian Imperial Theatre Monopoly

Slavonic and East European Review, 2005
This article investigates why the Russian Imperial Theatre monopoly was abolished in 1882. The reform is regarded as an important turning-point in Russian cultural history, but its timing seems puzzling. The monopoly emerged for economic reasons but came to be defended on political grounds. Its abolition was regarded as an act of liberalization, yet it
openaire   +1 more source

The Russian Invasion of the American Theatre

2011
In 1927, three Americans became honorary members of the Moscow Art Theatre: David Belasco, Morris Gest, and Otto H. Kahn. Belasco received the recognition for his commitment to excellence in the American theatre, whereas, Morris Gest and Otto Kahn earned it for successfully bringing the Moscow Art Theatre to America. This venture marked only one of the
openaire   +1 more source

A History of Russian Theatre

The Slavic and East European Journal, 2001
Sharon Marie Carnicke, Robert Leach, Victor Borovsky   +2 more
openaire   +1 more source