Results 11 to 16 of about 23 (16)
The Rhythem of Prose in Beyhaqi's History [PDF]
مطالعات زبانی و بلاغی, 2011 Beyhaqi's history is one of unique texts in Persian Literature that has remained unrepeatable and unimitable because of it's mixing with music substantially. The history mixed with art avant â gard art. Beyhaqi's history, although, is the production of
قدسیه رضوانیان +1 more
doaj +1 more source
Sa’di’s hints on Abolfaraj ibn Jawzi’s identity in Golestan [PDF]
Literary Arts, 2016 Saadi in Gulistan (Saadi, 1368: 94) has referred to his attendance in meetings of "Ibn Jawzi". In the sixth and seventh centuries two Ibn Jawzis lived: the first is that is known with many compilations and is called “Abdulrahman bin Ali” and passed away ...
Loghman Mahmoodpoor
doaj
A Jungian analysis of the Anima in Sa’di’s Golestan [PDF]
مجله علوم روانشناختیBackground: Sa’di’s Golestan, as a masterpiece of didactic Persian literature, has consistently been examined from various perspectives. However, despite the significance of archetypes in Jungian analytical psychology for understanding the deeper layers ...
Majid Azizi +2 more
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A comparison between the structure of Hamidi’s Maqamat and Sa’di’s Golestan
Literary Arts, 2015 Maqamat are successive stories in which the hero is the same in all of them. The hero does strange things or in other words stunts and in the end disappears and no one knows his conclusion and again in another story appears in a new character. Maqame can
Esmaeil Shafagh, Ali Asmand jonghani
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A Comparative Analysis of Golestan and rhymed Prose on the basis of Arabic Rhetoric
Literary Arts, 2015 Harmonious and rhymed prose is a literary kind of speech characterized by producing music and intonation in order to conveying meaning of the context as well as possible and influencing the addressee more. In this paper main question is “whether Sa’di in
Taher Lavzheh +2 more
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A propos Adam Olearius’s håndskrift af Sa’dîs ”Golestân”
Magasin fra Det Kongelige Bibliotek, 2004 openaire +3 more sources