Results 1 to 10 of about 4,910,162 (159)

Manifestation of the Masnavi (Masnavi-ye-Manavi) poems related to miniature paintings from the Safavid period [PDF]

open access: yesپیکره, 2022
Problem Definition: The Masnavi, or Masnavi-ye-Ma'navi of Rumi, is one of the best books of ancient Persian mystical literature and Persian wisdom after Islam, whose mystical and literary themes are considered the main themes of the miniature paintings ...
Mahnaz Shayestehfar, Narges Karimi
doaj   +3 more sources

Reflection of Feminine Erotic in the Safavid Period on the Isfahan School Paintings [PDF]

open access: yesزن در فرهنگ و هنر, 2021
Early eleventh century A.H. / seventeenth century A.D., the Safavid period is one of the significant times in the history of Iran socially and culturally.
Fatemeh Shahkolahi   +3 more
doaj   +1 more source

Study in Contents and Functions of the Inscriptions in the Safavid era Schools Case Study: School- mosque Chaharbagh [PDF]

open access: yesهنر اسلامی, 2017
One of the most important architectural feature of Safavid era is the Linkage and association monuments and particular religious monuments with decorated calligraphy and inscriptions. Schools and Mosque – schools that are places for composing science and
Mohayodin Aghadavoudi   +1 more
doaj   +1 more source

Concepts of Quranic illumination in Savavid period [PDF]

open access: yesنگره, 2016
Calligraphy and Illumination are two main elements of the book layout and writing the Quran. Illumination of the Quran that have been implemented in the history of art in Iran has features and special characteristics are aesthetic.
Samad Najarpoor jabbary
doaj   +1 more source

The Contexts and Role of Government Policies in the Development of Cultural Creativity in Safavid Iran [PDF]

open access: yesReligion & Communication, 2020
Creativity in its general sense is the condition for cultural dynamism and the development of civilization. One of the strengths of contemporary Western civilization is the attraction and employment of elites.
Mohammad Mohsen Hasanpour   +3 more
doaj   +1 more source

Rereading the History of Dargazin City in Nasuh Matrakçi Miniature Images

open access: yesAsian Studies, 2021
This article focuses on the miniature paintings of Nasuh Matrakçi who came to the west of Iran during the Safavid period. Matrakçi’s miniatures are among the oldest surviving images of Dargazin city, the like of which cannot be found in other ...
Habib Sharafi Safa, Alireza Ali Soufi
doaj   +1 more source

Study of decorations and motifs of Safavid tombs (Ardabil city) [PDF]

open access: yesAnastasis: Research in Medieval Culture and Art, 2020
Ardabil, now known as one of the provinces of the country, has been one of the oldest and ancient cities in various historical periods, including Islam. This province comes to the end of the majesty and power during the reign of Safavid.
Maryam Samari, Reza Rezalou
doaj   +1 more source

Social characteristics of clerics in the Safavid period (1501-1722) [PDF]

open access: yesپژوهش‌های تاریخی ایران و اسلام, 2022
Clerics played a pivotal role and influence in the educational, socio -governmental structure of the Safavid era. Therefore, in order to understand the social status of clerics, it is necessary to survey and specify general educational process and their ...
Mahdi Dehghani
doaj   +1 more source

A possible perfection

open access: yesAmerican Ethnologist, Volume 50, Issue 4, Page 645-655, November 2023., 2023
Abstract Among my interlocutors in Mashhad, Iran's second‐largest city, were individuals who repeatedly claimed that some persons, philosophies, and ethical lives not only might be but actually were perfect (kāmel). The salavāt, a polyvalent blessing upon the Prophet and his descendants, evinces this.
Simon Theobald
wiley   +1 more source

The politics of street names: Reconstructing Iran’s collective identity

open access: yesStudies in Ethnicity and Nationalism, Volume 23, Issue 2, Page 122-143, September 2023., 2023
Abstract With the radical political change in 1979, Iran's revolutionary state assumed the responsibility of re‐rewriting the past history to forge a new sense of belonging, a particularly collective religious (Shia) identity. It launched a complex process of forgetting and remembering to first eliminate the national (Persian), non‐religious memories ...
Ehsan Kashfi
wiley   +1 more source

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