Results 21 to 30 of about 121 (105)
Conceptualizing the Multicultural ‘North’ in the Íslendingasögur: Peoples, Places, and Phenomena
During the early medieval period, a large part of Fennoscandia was inhabited by the Sámi (Zachrisson 2008, 32). With written sources such as Historia Norvegiæ, Ágrip af Noregs konungasǫgum, and Heimskringla referring to Sámi settlements in the Viking ...
Solveig Marie Wang
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Reception of the old Icelandic literature in the Icelandic poetry of the 1990s — 2020s [PDF]
The reception of Old Icelandic literature in the Icelandic poetry of the 1990-2020ies is to be found mainly in its' contents. Contemporary Icelandic poets seek mostly to the well-known sagas of Icelanders or mythological songs of the Elder Edda.
Olga Markelova
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Dragons are frequent presences in Old Norse-Icelandic sagas, composed between the 13th and 15th centuries. The locations where dragons appear have been so far observed mainly under the lens of their relation to centre/periphery dynamics and regarding the
Miguel Andrade
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The Nordic vision: Broadcasting Nordicness in the televised Nordic Council prize ceremonies
Abstract Since 2013, the Nordic Council prizes have been awarded at live broadcast ceremonies in the Nordic countries. The Nordic Council Prize in Literature is the most prestigious, but like the other prizes, it is also part of a regional political project by the Nordic Council based on a culture of prize‐giving.
Henrik Fürst, Johanna Pettersson Fürst
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The medieval sagas of Icelanders, celebrated for their emotionally restrained narrative style, merge prose with verse in a genre-defining prosimetrum.
Brynja Þorgeirsdóttir
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Medieval Icelandic sagas include the so-called ‘post-classical’ or ‘late’ Íslendingasögur (Sagas of Icelanders), a group of fourteenth-century texts that are compelling and innovative, as they challenge narrative conventions, especially from the point
Ceolin, Martina
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What do they talk about “in fair words” in Old Norse-Icelandic literature?
The paper analyses the use of the paroemia at mæla fagrt ok hyggja flátt (to speak fairly and to think falsely) in the Old Norse-Icelandic literary corpus, focusing both on the paroemia and its derivative — the representation of the characters’ eloquence
D. S. Glebova
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Jorge Luis Borges' Medieval Aesthetics of Failure
Critical Quarterly, EarlyView.
Irina Dumitrescu
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Snorre Sturlason som balanskonstnär
This article discusses the historical context of Snorri Sturluson-´s work, known as "Kings-´ Sagas", its title and structure as well as his purposes and intended audiences.
Birgit Sawyer
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Kung Sverre och norrön sagaskrivning
In an article published in 1914 Halvdan Koht tried to show that King Sverrir Sigurðsson, who ruled Norway between 1177 and 1202, had played an important role in the early history of Old Norse saga-writing.
Lars Lönnroth
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