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Chaetacanthus pilosus Salazar-Silva & López-Sánchez & Salazar-Vallejo 2020
2020Chaetacanthus pilosus (Treadwell, 1937) Figures 14–16 Lepidonotus pilosus Treadwell, 1937: 141–143, Pl. 1, Figs. 1–7. Lepidonotus pomareae panamensis Hartman, 1939a: 44–46, Pl. 6, Figs. 70–77 (partim). Lepidonotus panamensis: Hartman 1948: 28 (n. status, partim). Chaetacanthus magnificus: Salazar-Vallejo et al. 1990: 215, Fig.
Salazar-Silva, Patricia +2 more
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2014
In 1961, Paula Rego painted a picture that marked the year of the uprisings in Angola and the beginning of the struggles by the Portuguese colonies in Africa for independence. In When We Had a House in the Country, bodies are dismembered into fragmented pieces, and the pictorial division of black and white ground gives lie to the Lusotropicalist claims
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In 1961, Paula Rego painted a picture that marked the year of the uprisings in Angola and the beginning of the struggles by the Portuguese colonies in Africa for independence. In When We Had a House in the Country, bodies are dismembered into fragmented pieces, and the pictorial division of black and white ground gives lie to the Lusotropicalist claims
openaire +1 more source