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“No Speak English” : A brief introduction to Sandra Cisneros
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2020
Sandra Cisneros is one of the best-known and most influential Chicana authors in American literature. Beginning with her first chapbook publication in 1980, the poetry collection Bad Boys, Cisneros has written and published fiction, poetry, and essays with a distinct Chicana feminist consciousness.
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Sandra Cisneros is one of the best-known and most influential Chicana authors in American literature. Beginning with her first chapbook publication in 1980, the poetry collection Bad Boys, Cisneros has written and published fiction, poetry, and essays with a distinct Chicana feminist consciousness.
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2017
The “About the Author” section of Sandra Cisneros’s second book, The House on Mango Street, includes the following description: “The daughter of a Mexican father and a Mexican-American mother, and sister to six brothers, she is nobody’s mother and nobody’s wife.” This autobiographical sentence epitomizes Cisneros’s oeuvre, acknowledging the ...
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The “About the Author” section of Sandra Cisneros’s second book, The House on Mango Street, includes the following description: “The daughter of a Mexican father and a Mexican-American mother, and sister to six brothers, she is nobody’s mother and nobody’s wife.” This autobiographical sentence epitomizes Cisneros’s oeuvre, acknowledging the ...
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Sandra Cisneros: Border Crossings and beyond
MELUS, 1994For readers and writers of Chicana literature, the 1980s signalled the emergence of voices of power and pain which many previous decades of racism, poverty and gender marginalization had suppressed. Breaking a silence that had run long and deep, writers such as Lorna Dee Cervantes, Denise Chavez, Gloria Anzaldua, Cherrie Moraga and Sandra Cisneros ...
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Le dialogisme poétique de Sandra Cisneros
Revue française d’études américaines, 1995Dwelling on both Cisneros' poems, My Wicked Wicked Ways, and on her two collections of short stories, The House on Mango Street and Woman Hollering Creek, the article attempts to analyze the ways in which Cisneros' writings move beyond the cultural authenticity precept of Chicano literature.
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